Why I love Twitter and btw, what the hell is Bluesky?

I recently (mistakenly) thought I suddenly lost Twitter followers by the droves. Having been on Twitter for years, I never was a pro on the site, but it always felt like the best place to introduce strangers to my books. Facebook was only helpful in getting eyes on my books if it happened to be someone I already knew or someone specifically seeking me out. But at the end of the day, Twitter was my favorite and continued to be as it became my preferred news source. It was my go-to. 

But back to my story. So, I thought I was losing many followers and couldn't understand why. It happened immediately following the US election (I'm Canadian) and it was noticeable. Then I started to stumble upon tweets where people (especially other authors) stated that they were 'done' with Twitter and if you wanted to find them from that point on, you could do so on Bluesky. 

What the hell is Bluesky? Also, as an author, I try to meet potential readers where they're at, I would never demand them to follow me or fuck off. If that were the case, I would've left Facebook and Instagram years ago. But that's not how it works. It shouldn't be about your ego or image, it's about your books. 

From what I can gather, people left Twitter because it was too 'toxic'. And hey, sure, that's possible. Of course, the easier solution would be to stop following those you think are toxic. It's like having an annoying coworker so you quit your job. It's a bit dramatic and laden with victim mentality, but then again, that's pretty common in today's society, so I shouldn't be surprised. 

Not that I have an issue with Bluesky. It might be a wonderful site. I don't know. The problem is that there are only so many social media sites and people only have so much time. I like Twitter because I have deep roots there, having joined in 2010. I also connected with many cool people on Twitter. I also appreciate, respect, and want to support Elon Musk. I know there's a lot of criticism for the man, but he fights for free speech and in this day and age, that shouldn't be taken for granted.

I respect everyone's decisions and preferences. If you're an author or a reader, what are your favorite social media sites to promote your books, meet other writers, or in the case of readers, discover new books? I would love to know. I am sincerely curious about how everyone feels about the topic. 

Feel free to follow me on Twitter (@mimaonfire) If you're an author, I would love to retweet your book. If you're a reader, I share many indie author's books, so you might find your next, great read in my feed. 

And as always, thanks for your support. 

Do I always agree with my characters? 🫣

Like the parent of a child, people often hold writers responsible for their characters and assume their words and actions are the writer's fault. But is this the case? 

Sometimes my characters say some pretty 'rough' things. Throw in a heaping cup of profanity, rudeness, and obscenities, and you've got one of my books. Hey, it's just the kind of characters I write about. 🤷‍♀️ But it hasn't stopped people from discussing their 'sensitivities' regarding bad language, character decisions, and the topics I choose to write about. Having said that, there are a few things I try to explain to them.

First of all, I'm NOT the characters I write about. For some reason, people often have issues separating me from the books that I write. You would think that the fact that I write about characters that live vastly different lives from me, (rock bands, vampires, and gangsters) would make this obvious. It's hasn't. Be mindful that I can't write about a criminal and expect him to speak in the same manner as someone with a vastly different background and experience. It's just not logical. 

The writing process doesn't necessarily draw from the writer's personal life and experiences. It's a fictional world, therefore, it's my world to wander into the Garden of Eden or possibly landmines, if not anything in between. If I wrote about my own experiences and thoughts, would anyone read? My life isn't that interesting. 

Protagonist switch....what does that mean? 🤔

One of my favorite things about writing is switching up the protagonist. So, what does that mean, exactly?

As you know, most books have a protagonist. Sometimes it is more than one character, but most times, there is one main character that the reader follows throughout their journey together. The great thing about this is that you can get an in-depth, personal understanding of that character. The not-so-good side is that you only get that character's perspective; therefore, it may need to be more accurate. Occasionally jumping to another protagonist allows you a broader view of the story. Think of it like talking to two friends about an argument they had as opposed to just one of them. One person may only mention some aspects of the argument, giving you a limited view of the scenario. Hearing both sides allows you to see both perspectives, allowing you a much greater understanding.

To have a better understanding, check out this video. 

Does a writer have to write everyday?

It sounds like a tongue twister when you say it fast enough. A writer must write every day. When I hear those words, I wonder if it's merely another one of those things we're told we should do by people who make very blanket statements without consideration for the lifestyle of the writer or, perhaps, even proof that it makes a difference. 

Now, before someone jumps down my fucking throat, I'm going to start by saying that I'm not a crazy successful writer. I don't pretend to be an expert about anything, but I've gone through phases where I wrote every day, and I've gone through phases where I didn't. I honestly saw little in the way of a difference. 

Of course, having always been a writer on the side, it simply wasn't always an option. It depends a great deal on my schedule and inclination. I don't like hard and fast rules that shame those who can't follow them. Being told to write every day sits on the same unstable shelf as the one that insists you stress over your daily word count. And you don't want to get me started on that one.

I've written 18 books and (what feels like) a million blogs and I can guarantee that I never check my word count, and I don't write every day. I don't believe the creative process works very well when a writer feels pressured to perform. I also don't think it means that the work you do will necessarily be stellar if the focus is more on fixating on following this suggestion. 

Chances are good that both these rules were started by a writing school teacher when there was far less on the average person's daily agenda. The world moves fast, and a part of being a writer is observing what is going on around you, something that, as it happens, does require time. 

If I had to come up with my own rules for writers, it would be to open your eyes and pay attention to what is happening in the world. Are you getting a sense of how people feel? What are you hearing a lot? What's standing out to you? What are the books you're currently reading missing?

 

Of course, you shouldn't take five years to complete the first draft of your manuscript either. Unless you're writing a very in-depth research book, obviously, that's a different can of worms. But there has to be some reasonable middle ground. Be logical, and don't listen to the so-called experts. 

You're the expert on you. If you have issues being self-motivated, maybe you have to write every day. If you have a million other things going on and can't get your head into it, don't be too hard on yourself. Maybe it's simply time to process. Unless you nurture your soul, you have nothing to give.

Why write books when no one reads anymore?

People often ask me why I bother to write books when no one reads anymore. For most writers, this question is a bit disheartening. After you've put so much time, effort, research, and thought into your book, you'd like to believe that someone appreciates your writing and finds it entertaining. But is that the case? Does anyone read anymore?

I grew up in a time when the internet wasn't a thing. I lived in a rural area, so cable television wasn't accessible. Along with that fact, my mother was a reader, and so was my best friend. We would excitedly run to the bookmobile as children, excited about all the possibilities. It's a world that kids would hate today, in a time when everyone has a device and watch programs on demand. Perhaps my childhood laid the foundation. Is it likely that if you don't become a reader while you're still young, you probably never will?

The beauty of a book (as opposed to watching a movie or show) is that you can fill in the blanks with your imagination. As a reader, you can take part. The handsome stranger can look however you want. The beautiful house can look how you want. You can crawl into the mind and heart of the protagonist in a way that you simply can't when watching them on a screen. There's a connection that you can't capture in the same way. 

What are your writing fears? 😱

If you always wanted to write a book but never started, what is the reason? Is it because you lack the time? Are you intimidated by the process? Do you have writing fears?

Writing a book is like eating an elephant; it's a one-bite-at-a-time process. You might only have a few free hours a week. You mightn't be able to write enough words. You may have a general idea but aren't sure how to communicate them. Many reasons might keep you from writing that book, but don't let that hold you back. If you want to write, start slow and see where it takes you. 

Remember, you don't have to share your writing with anyone. You don't have to announce you're about to write the next best-seller. You can work on it over months or years. You can start tomorrow and decide it's not for you. But I would recommend starting, even if that means writing a blog for your eyes only. Writing is cathartic. It doesn't have to have a purpose.

Concerns such as grammar, plots, and word counts shouldn't hold you back. I only check my word count when I finish a book. I don't care how many words I write per day. I never know the entire plot when I start a book. I allow it to flow naturally and see where it takes me. I don't worry about grammar because there are apps that can catch a lot, and friends and family will catch the rest. 

To learn more, check out my writing playlist for tips and ideas. 

I couldn't find the book I wanted, so I wrote it myself 😉

I think the title says it all. We've heard this story many times before but not always from authors. People created products as a solution to a problem. That's how most things get invented. Writing a book that you wanted to read isn't any different. 

Not to give you the wrong impression. I've read a lot of fiction over there years that I loved, but it wasn't quite what I wanted. I wanted the combination of ruthless criminals that leaned toward gangsters, along with some dark humor and a strong sense of loyalty and connection. I wanted characters that didn't fit into the social norms and didn't care. I wanted books that opened people's eyes and made them question what was happening in the world. Nothing too light. Nothing too predictable. If I read a book and knew the ending well in advance once, it's happened at least a million times. Publishers are often short-sighted and prefer books to fit a mold to ensure sales. That's why I'm an indie author. My goals are vastly different. 

Of course, I would love great book sales, but not because I wrote to cater to an audience and be a millionaire. I wanted to make a point. I hope to encourage critical thinking while being entertained. I wanted people to live through my characters. I've always written with integrity, not for sales. 

I assumed that if I liked this kind of book, so would other people. As it turns out, I was right. 

Why you should write your own book 🤓

Throughout the years, I've had a lot of people inquire if I could potentially help them write a book. Sometimes it's fiction, but usually non-fiction, and most of the time, a memoir. I'm sincerely flattered, but I always decline. And I will tell you why.

Although there are the most logical reasons (not enough time being the top of the list) it's always more about feeling like I'm not best suited to tell someone else's story. Now I know what you're thinking. Many people have ghostwriters (sadly, much more common than you realize), but I'm not convinced that someone else writing your stories is the best solution. The truth is that only you can most effectively communicate the narrative. You know the highlights and where the emphasis should be, not to mention the overall theme you wish to convey. Sadly if someone else tells your story, even with the best intentions, it will be difficult for them to align with what is going through your heart and mind.

A perfect example would be if you had a picture in your mind. You can find the best artist in the world, but simply describing it won't give you the final image you had hoped for because some things are hard to communicate. And sometimes artists are only sure once you're working on their art. How many times have authors admitted that the book they started to write quickly became something completely different? I know it's happened to me.

I always encourage people to write their own stories. If they need help along the way or advice, I can certainly try to help them, but it's their story to tell. It's cathartic and necessary for some people to tell the story they feel passionate about and want to share with the world. 

Do you have a story in you?

Every character has a purpose 🤪

Although our focus tends to be on the protagonist of a book, the truth is that secondary characters often tell you a lot about the main character. This can come out in conversations and various situations or in the rare chapter where we see the story through a secondary character's eyes. This is important because it allows you to get to know that character much better and connect with them on a deeper level. It's like when you meet someone; the more they reveal about themselves, the more you feel a bond or at least an understanding of their personality and values.

Why is that important? Think about it in terms of real life. Suppose you meet someone online. That person will show you the images that flatter them, tell you stories that make them sound interesting and tell you how they see themselves. When you meet them in person, you'll notice different aspects of their personality. This could be good or bad, but the point is that you see a fuller picture in person. If you then throw another person into the mix, say one of their friends or a family member, you'll once again see them more clearly just through their conversations, body language, and the general vibe you get when they are together. This is how we learn about people. Characters are similar in that we learn more about them through their interaction with other characters. 

One great example from the Hernandez series is how Chase Jacobs changes throughout the series. In the first book, We're All Animals, Chase is very much the boy next door, probably a little naive especially compared to other characters in the book. Jorge recognizes this aspect, but on the flip side, Chase shows us how Jorge is intimidating, strong, and dangerous. However, if you only heard the story from Jorge's viewpoint, you'd probably be left thinking that he's justified in many of his actions because that's the story he wants to tell you. 

I find it a little unsettling when I read a book that focuses only on the protagonist and where they are coming from because I don't feel like I'm hearing all sides of the story. In turn, it sometimes hides the main character's flaws, which isn't realistic and tends to paint the picture of a saint who's the victim. Real-life and realistic characters are much more complex. 

How do you introduce new characters? 🤝

New characters keep a series fresh, even if their appearance is short-lived. And in the case of the Hernandez series, short-lived could be literal. 

When a new character comes along in my series, I usually assume it's for a short time to play a role in the plot. Occasionally these characters catch on and stick around, but that's if they're somehow connecting with someone else in the series. For example, I introduced a character named Sonny McTea a few books back with no intention of keeping him around. However, I later discovered that he filled a necessary role to balance out a couple of other characters, so I kept him on. 

The actual introduction of the new character should be smooth. Remember that the story is through the protagonist's eyes, so you're meeting that person along with your main character. What is his/her impression? This depends on what matters to that person. If it's Jorge in my Hernandez series, he's sizing up the new character; are they strong? Powerless? Trustworthy? Do they seem nervous? A different protagonist may notice other things, depending on what they value. 

The important thing is that new characters show up when needed. They have a role. When that role is fulfilled, there's no need to keep them any longer. Too many characters confuse readers and writers. Think of it like an episode of your favorite show. Some characters are only on for an episode, while others stick around for the entire season or series. But if they do stick around, there has to be a reason. 

Start in one place and end up in another 😯

Just as with life, sometimes things in fiction can take an unexpected turn. If you follow your intuition and, more importantly, follow your characters, you might find yourself somewhere you didn't expect.

The most important thing for me when I'm writing, is to follow my instincts. I never stray from this rule, but if I do, I hit a wall. Characters need room to grow and room to move. Sometimes, the place they go may not be what you expected when you start to write a chapter, but this can also take you to some very interesting places. And the way I look at it, if you're surprised where things go, chances are good the reader will be too. 

What does this mean exactly? And more so, how do you 'follow your instincts' when writing?

To begin with, I've always said that when you sit down to write a chapter, it's important that you have a quiet (unless you listen to music) environment. This helps you keep focused and in tune with your inner voice. Writing shouldn't be something you overthink. It should flow and be natural. You shouldn't think about what you have to do later, what's going on outside your window, or what's on Facebook. You need to focus. 

I never really outline chapters. I have very general notes and an idea of where things will end up. If I'm lucky, I might know where my starting point is, but from there, things can go anywhere. For example in my Hernandez series, I might have the protagonist Jorge head out the door in a rage, prepared to kill someone. However, what will he find when he gets there? What will interrupt him along the way? 

Will his plans change? 

Will he kill more than one person? 

Will he be in danger? 

Remember, as the author, you're with your character every step of the way. You're jumping in that vehicle and flying down the road. You're walking in that dark room and looking around. You're the one that discovers he forgot his gun at home. 

I'm joking. He never forgets his gun at home. 

Writing should be an adventure, not an overplanned itinerary. See where it takes you, and don't worry if it takes you somewhere you hadn't planned. 

Relationship ups and downs between characters 😍🤬

Just like in real life, characters also have relationship ups and downs. All it takes is an issue or argument to throw everything off course. But why is this important in fiction? Why can't everyone always be happy and get along?

One of the most important aspects of a book has to be the connection with the characters. How do we connect with characters the most? It tends to be because we relate to a situation they are dealing with. And what better relatable situation than having relationship ups and downs with people in their lives? Hey, we can all relate to that, can't we?

Relationships tend to go in cycles. Even the people we get along with the most will irk us sometimes. It's human nature. I often notice that when writing, I'm running into this situation. You have to consider the values that characters have and how someone else's comment or decision affects them. Again, like real life. If your cousin is sensitive about her weight and you comment on how she looks thinner, how will she react? What if you tell her she looks like she gained a few pounds? How do these two comments affect your relationship? Remember that characters are the same.

Of course, even if relationships go off course, they also can come back. Depending on the state of the relationship, this can sometimes happen more quickly than others. Then again, there are some relationships that will always be a bit prickly. 

Why we need to connect with characters 🥰

Most of the time, we don't even think about it. However, caring about characters is one of the main reasons you may feel connected to certain books, movies, or television shows. In truth, if you don't care about the characters, you probably don't care what happens to them either. The same rules apply if you're writing. The only difference is that as a writer, you already formed a bond with your characters. Your job is to make others see what you see. It's not always an easy task, but it's necessary to keep readers intrigued.

One of the best ways to create this connection is to show the character's vulnerable sides. Readers need to see their weaknesses, opinions, and anything that irritates them or brings them joy. Maybe you don't like to admit it, but you may share a character's secret insecurities or habits. Something as minor as that can sometimes be enough to connect and care about a character. 

Currently, I'm watching a television series that I find enjoyable, but at the same time, I could stop watching it today. It's not that the acting is bad. It's not that the storylines aren't intriguing. It's not that I'm never surprised. It's because I find all the characters a bit insufferable and don't care about them. The only part of me that's still interested is the part that's intrigued to see where the character development goes in the future. Will the characters start to break down? I'm in season two, and this is what I'm discovering, but there's still a ways to go.

And speaking of television series, I think that's why sometimes people hate the book-to-screen transition. Sometimes we connect very strongly to a character on the pages of a book, whereas the wrong actor or script can completely blow the entire thing out of the water. If my Hernandez series were to turn into a television series, I've always said that the wrong actor to play Jorge Hernandez would sink the entire ship. It's a delicate balance between books and what you see on a screen. 

Characters have many sides. Let readers see them all.

April 2022 newsletter 🐣

Here we are again! Another month has slid by, and it's time for my latest monthly newsletter.

There isn't a lot to report for this month. I've been busy with a couple of projects. The first one is to update and edit my blog account. This has been an ongoing and tedious project, but it's getting close to the end. I've also been adding my video catalog to Rumble. Again, it takes time, but I'm slowly updating these two things. 

...and of course, I'm writing another book. I'm about 11 chapters into it. 

I only have one new video/blog this month:

The protagonist's point of view 👀

Video

Blog

And last, but not least, here is this month's book birthday! 🎂

Always be a Wolf - published April 25, 2017

Why I don't write warm and fuzzy books 🧸

When people learn that I'm an author, they're often surprised to learn that I write about violent criminals who think nothing of murdering from time to time. Perhaps I don't give off that crazy vibe as much as I thought I did, or maybe it's because I'm a woman, and generally speaking, female authors are more known for books that fall more on the softer side. It's not something I give a lot of thought to but from time to time, I do get asked why I don't write books that are warm and fuzzy. 

In truth, I tend to read darker, sinister books, so it's not surprising that I also choose to write them. As a writer, it mightn't surprise you that I also tend to write what I see reflected in the world around me, and you don't have to look far to understand why I write about a protagonist that is rich, powerful and isn't afraid to get blood on his hands. This is merely symbolic of the elites that rule our world - thus, my title Psychopaths Rule the World from earlier this year. 

Although I don't write warm and fuzzy books, I tend to show the softer side of characters. To not do so wouldn't be a fair reflection on human nature. Even the most rotten, soulless person has an unexpected sentimental side, just as the kindest person you know may occasionally have a temper tantrum. People are complex, and so are characters. 

Maybe someday I will write warm and fuzzy books. As soon as our world becomes a warm and fuzzy place. 

Any day now. 

How do I meet my characters 🤝

It might surprise you to learn that meeting a character isn't all that different from meeting an actual person. I mean, there are some obvious differences, but in theory, it's quite similar. What do I mean? Let me explain.

When you meet a person, it takes time to get to know them. You can make assumptions about them, get your first impression, but it tends to take time to unravel the complexities of a human being. People are complicated. They're a series of experiences, heritage, genes, and self-concepts that makes them both fascinating and at times, difficult to understand. 

Characters are also complex, a product of their environment, experiences, and views of the world. And contrary to what many people might think, you can't decide ahead of time exactly who they are and fit them in a neat little box. It usually takes writing about them and seeing them in various circumstances and conversations to slowly reveal who they are and how they fit into the world. 

So, in essence, I meet my characters when they come along in the story, but getting to know them is a whole other thing.

- Mima

Music and how it inspires my books 🎵🎸🥁

As I've mentioned in previous blogs, music has always been an inspiration to my writing. Scenes in my books often remind me of the specific songs I was listening to when I first envisioned them, long before they found their way to the pages of my book.

I think this is pretty common with authors. However, I'm not sure if it works the same way for them as it does for me. I don't pick specific songs that I think should inspire a scene, but quite the opposite. Sometimes the most random, unexpected songs will stand out to me, and with them comes a vision of a scene between my characters. Sometimes I don't even know where it will fit into a future book or when, but I know that it has a relevance that will come to light eventually.

One great example is the song Peace Sells... but Who's Buying by Megadeth. This song inspired a scene in one of the books in my series  (I think it was The Devil May Lie) where a man attempts to intimidate Jorge Hernandez. Things happen, as you can imagine, and it ends up with Jorge's associate, Chase Jacobs, hitting the man with a bar stool. I see the scene so clearly every time I hear the song and forever will associate the two. 

Of course, it's not just songs that inspire specific scenes that count, but also the music that helps me during the actual writing process. People might be surprised to learn that I tend to listen to meditation-style music while I write. I want something calm, relaxing and that helps me get centered when I'm writing. This causes me to find balance and helps me to think more clearly, not to mention allows a flow that comes naturally. You never know where a chapter will end up and, that's exactly what I want. 

Why I sometimes kick things up halfway through my books 🥾(Updated)

As a writer, the last thing you want is for your readers to be bored, so it's important to kick things up before the story has a chance to fall flat.

Every writer is different, but for me, I like to have a lot of balls in the air throughout the entirety of my books. Having said that, there's something about that halfway point that screams at me to throw another curb ball into the game to see what happens. I feel that it's usually the perfect time to add an extra element to completely stress out the protagonist, therefore creating excitement for the reader. 

Of course, this also means more of a challenge for the writer. But you're up for that. Right?

For example, in my book The Devil May Lie, I threw in a political scandal at the halfway point, causing a shift in energy for the story. This created a heavy, dark feel in the book. However, it was necessary to shift gears and move the story along. It was interesting to see what direction it took the characters and how everything unraveled.

It's important to keep readers on their toes. But of course, as a writer, it's not a bad idea to keep on your toes too. 

Humor in writing 🤣(Updated)

Comedy may not be your genre, but it's still important to add a little humor to your writing. It gives characters dimension, it breaks up tension (especially in dramas), but most of all, it gives your readers an extra layer of entertainment.

Just like real people, characters have many sides to their personalities. Even the most complex personalities still have a funny side, even if it's not as prevalent. For example, in my Hernandez series, my protagonist Jorge can be described as intimidating, powerful, intense, and dangerous.  Then out of nowhere, he'll make a sarcastic remark or comment that will make readers laugh. It may not be the top quality he's known for, but it's still thrown in from time to time to add a little extra flavor. 

In general, humor is needed from time to time, especially if the particular story is very emotional or heavy. I know it may seem inappropriate in those situations, but again, just like in real life, we sometimes need a break when wading through difficult emotions. For example, if you're watching a movie where a character is dying, it can become very intense for the viewer to watch for a long time. However, if a child were to make an innocent (yet funny) remark or observation, it might break things up a bit for the viewer.

Comedy in writing shouldn't feel forced or overthought. Often if you follow the character's natural inclinations and personality, the humor comes out naturally and shows us their lighter side.

When really bad things happen to your characters 😭(Updated)

It can't always be smooth sailing for characters. There are times when the water is a little rougher than readers can handle. But does that mean writers should avoid uncomfortable topics?

If you're familiar with my writing, you already know that I hardly write about princesses and unicorns. It's not unusual for me to touch on some uncomfortable topics. Not to suggest there haven't been some that gave me a moment of pause, but in the end, I had to follow the story, and more importantly, follow the character and their journey.

Not to say that it's easy. 

It's also possible that your readers may complain about where the story sometimes goes, especially when things get dark. The truth is that for many people, reality gets pretty dark sometimes and for a group of characters to avoid this is simply unrealistic, especially when involved in a long-running series.

In the end, you have to follow the story wherever it takes you. I think a character that experiences some extreme highs and lows, creates compassion from the reader while giving characters more dimension. We connect more with people (in both reality and fiction) if we see they've been through some soul-searching moments in their lives because we relate to it ourselves.