The official blog is associated with www.mimaonfire.com. Author of 18 books including the Hernandez series 🔪
Loyalty Above All
There are no exceptions.
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If I had to get to the heart of why I write fiction, it would be to create powerful, fearless characters. And in turn, it’s with hope that it creates a powerful, fearless reader. Do I think that characters can influence the person on the other side of the page? I’m not sure, but I certainly will try.
This isn’t to say that all my characters start off in the best mindset. Many have to fight to survive, whether it’s from insecurities and bullies like Jimmy in A Spark Before the Fire or if it’s from losing a brother and being blamed, often brutally beaten like Jorge in the Hernandez series. Many haven’t started out strong, but they certainly rose to the challenge. And in a way, it teaches others that they must do the same.
We live in a difficult world now, and one where it’s often expected that you stay quiet, don’t speak out when you see something is wrong, and simply follow the herd. But the herd can eventually become your enemy if you let them. They can walk you right over the cliff. Unfortunately, we also live in a society where the need for acceptance is stronger than the need for truth. People just want to get through the day, and I do understand that, but you have to look at what’s on the other side of that day.
The wonderful part about writing fiction is that you enter this crazy world where your characters can do anything. The issue is that the best characters take off running and all you can do is follow along. For that reason, I never tended to give much thought to whether or not my characters act morally or responsibly, simply because I'm not them. It's not my job to harness them in but rather, tell their story.
Lately, it has occurred to me whether or not my characters are evil. I suspect some people avoid my books because they assume they are and simply want nothing to do with them. And, you know, fair enough. You'll never find the Hernandez series in the Christian section of your bookstore. Is it my duty to represent morals and values in my books? And does anyone else?
To answer that question, you have to go back to why I started writing in the first place. Back in the early days, when I was a teenager attempting to pull a novel together, I never did so with the idea of inspiring anyone. In fact, my whole goal (even back then) was to make people think. I wanted to hold a mirror up to the world and tell you what I saw. I've been doing that ever since.
What I'm trying to say is, that my characters are complex. My strongest character is Jorge Hernandez and although he certainly could be called evil, you also see his compassionate side in many situations. In some cases, he can even act as an anti-hero, retaliating on those who are evil themselves. Overall though, I feel my books and characters are a reflection of the world. And unfortunately, if you look under the hood, that's not a pleasant sight these days.
In a world where fear seems to be rammed down our throats regularly, it's refreshing to discover characters who fear nothing. In fact, I would go out on a limb and say it's preferential to those who display characteristics we associate with weakness. We see it in everyday life, why would we want to watch or read about those who are the same way?
Fearless characters remind us that we can be strong too. It reminds us that we all have it inside of us, we just have to embrace it. What is it that they say? Weak men make weak times? We've seen it in various leaders worldwide and how it changes the population they're responsible for, which tends to impact society and the economy. But hey, I'm no expert. I'm just reporting what I've noticed.
It's also empowering to write about fearless characters to the author. I feel stronger when I write about someone who fears nothing. It encourages me in ways that I never would've expected. It reminds me of who I really am.
What about you? Do you have a favorite, powerful, fearless character in either books or television? Who would be your pick and why?
Once upon a time, there was a weak man who started to cry when his girlfriend was mean to him.
Can you imagine anyone finishing this book? Do you hear the collection of books hastily being closed and thrown in the corner? You should, because that's probably what would happen.
We need strong, masculine characters. As much as society scoffs at the idea of the ultra-masculine man and calls him toxic, I can't think of many television or book series with soft, teddy bear-like men that stand the test of time (or interest) for those seeking entertainment. It certainly wouldn't keep my attention. There's something about a deserving SOB getting a punch in the face by a 'fuck around and find out' kinda guy that keeps me intrigued, much more than a character that suggests the two characters keep calm and talk it out. 🥱
I used to jump on the toxic masculinity bandwagon and truly believed that old, white men were potentially ruining the world. But now, not so much. Now, I realize that you could be any color, race, or sex and be an asshole. And yes, women can be assholes too. Trust me, there's a lot of them. Take politics, for example.
Some may complain that my Hernandez series has too much 'toxic masculinity' and that's fine. Everyone is entitled to an opinion, and everyone has different tastes. I don't scoff at yours (at least, not to your face 🤭) and you shouldn't criticize mine.
Ultimately, we need more strong, masculine characters in books, television, and life.
Like the parent of a child, people often hold writers responsible for their characters and assume their words and actions are the writer's fault. But is this the case?
Sometimes my characters say some pretty 'rough' things. Throw in a heaping cup of profanity, rudeness, and obscenities, and you've got one of my books. Hey, it's just the kind of characters I write about. 🤷♀️ But it hasn't stopped people from discussing their 'sensitivities' regarding bad language, character decisions, and the topics I choose to write about. Having said that, there are a few things I try to explain to them.
First of all, I'm NOT the characters I write about. For some reason, people often have issues separating me from the books that I write. You would think that the fact that I write about characters that live vastly different lives from me, (rock bands, vampires, and gangsters) would make this obvious. It's hasn't. Be mindful that I can't write about a criminal and expect him to speak in the same manner as someone with a vastly different background and experience. It's just not logical.
The writing process doesn't necessarily draw from the writer's personal life and experiences. It's a fictional world, therefore, it's my world to wander into the Garden of Eden or possibly landmines, if not anything in between. If I wrote about my own experiences and thoughts, would anyone read? My life isn't that interesting.
One of my favorite things about writing is switching up the protagonist. So, what does that mean, exactly?
As you know, most books have a protagonist. Sometimes it is more than one character, but most times, there is one main character that the reader follows throughout their journey together. The great thing about this is that you can get an in-depth, personal understanding of that character. The not-so-good side is that you only get that character's perspective; therefore, it may need to be more accurate. Occasionally jumping to another protagonist allows you a broader view of the story. Think of it like talking to two friends about an argument they had as opposed to just one of them. One person may only mention some aspects of the argument, giving you a limited view of the scenario. Hearing both sides allows you to see both perspectives, allowing you a much greater understanding.
To have a better understanding, check out this video.
One of the most prevalent themes in my Hernandez series is the ongoing battle between protagonist Jorge Hernandez and his nemesis, Big Pharma. It's a fight unlikely to end anytime soon but will only grow as tension grows with each book.
The premise behind the Hernandez series is that Jorge was once a cartel leader in Mexico. Through a miracle, he never ended up in either prison or dead, but instead relocated to Canada to start a legit business. Once here, Jorge often is ranting how as a cartel boss, he was always running from the law, but Big Pharma is also responsible for people becoming addicts but can do so legally and have no repercussions. Also, he takes over the Canadian pot industry (House of Pot) only adds to the ongoing battle between the pharmaceutical industry and Jorge Hernandez.
Jorge is a respectable businessman to the public, but behind the scenes, he's part of an ongoing war with Big Pharma, and things often get bloody.
Although our focus tends to be on the protagonist of a book, the truth is that secondary characters often tell you a lot about the main character. This can come out in conversations and various situations or in the rare chapter where we see the story through a secondary character's eyes. This is important because it allows you to get to know that character much better and connect with them on a deeper level. It's like when you meet someone; the more they reveal about themselves, the more you feel a bond or at least an understanding of their personality and values.
Why is that important? Think about it in terms of real life. Suppose you meet someone online. That person will show you the images that flatter them, tell you stories that make them sound interesting and tell you how they see themselves. When you meet them in person, you'll notice different aspects of their personality. This could be good or bad, but the point is that you see a fuller picture in person. If you then throw another person into the mix, say one of their friends or a family member, you'll once again see them more clearly just through their conversations, body language, and the general vibe you get when they are together. This is how we learn about people. Characters are similar in that we learn more about them through their interaction with other characters.
One great example from the Hernandez series is how Chase Jacobs changes throughout the series. In the first book, We're All Animals, Chase is very much the boy next door, probably a little naive especially compared to other characters in the book. Jorge recognizes this aspect, but on the flip side, Chase shows us how Jorge is intimidating, strong, and dangerous. However, if you only heard the story from Jorge's viewpoint, you'd probably be left thinking that he's justified in many of his actions because that's the story he wants to tell you.
I find it a little unsettling when I read a book that focuses only on the protagonist and where they are coming from because I don't feel like I'm hearing all sides of the story. In turn, it sometimes hides the main character's flaws, which isn't realistic and tends to paint the picture of a saint who's the victim. Real-life and realistic characters are much more complex.
New characters keep a series fresh, even if their appearance is short-lived. And in the case of the Hernandez series, short-lived could be literal.
When a new character comes along in my series, I usually assume it's for a short time to play a role in the plot. Occasionally these characters catch on and stick around, but that's if they're somehow connecting with someone else in the series. For example, I introduced a character named Sonny McTea a few books back with no intention of keeping him around. However, I later discovered that he filled a necessary role to balance out a couple of other characters, so I kept him on.
The actual introduction of the new character should be smooth. Remember that the story is through the protagonist's eyes, so you're meeting that person along with your main character. What is his/her impression? This depends on what matters to that person. If it's Jorge in my Hernandez series, he's sizing up the new character; are they strong? Powerless? Trustworthy? Do they seem nervous? A different protagonist may notice other things, depending on what they value.
The important thing is that new characters show up when needed. They have a role. When that role is fulfilled, there's no need to keep them any longer. Too many characters confuse readers and writers. Think of it like an episode of your favorite show. Some characters are only on for an episode, while others stick around for the entire season or series. But if they do stick around, there has to be a reason.
Just like in real life, characters also have relationship ups and downs. All it takes is an issue or argument to throw everything off course. But why is this important in fiction? Why can't everyone always be happy and get along?
One of the most important aspects of a book has to be the connection with the characters. How do we connect with characters the most? It tends to be because we relate to a situation they are dealing with. And what better relatable situation than having relationship ups and downs with people in their lives? Hey, we can all relate to that, can't we?
Relationships tend to go in cycles. Even the people we get along with the most will irk us sometimes. It's human nature. I often notice that when writing, I'm running into this situation. You have to consider the values that characters have and how someone else's comment or decision affects them. Again, like real life. If your cousin is sensitive about her weight and you comment on how she looks thinner, how will she react? What if you tell her she looks like she gained a few pounds? How do these two comments affect your relationship? Remember that characters are the same.
Of course, even if relationships go off course, they also can come back. Depending on the state of the relationship, this can sometimes happen more quickly than others. Then again, there are some relationships that will always be a bit prickly.
Most of the time, we don't even think about it. However, caring about characters is one of the main reasons you may feel connected to certain books, movies, or television shows. In truth, if you don't care about the characters, you probably don't care what happens to them either. The same rules apply if you're writing. The only difference is that as a writer, you already formed a bond with your characters. Your job is to make others see what you see. It's not always an easy task, but it's necessary to keep readers intrigued.
One of the best ways to create this connection is to show the character's vulnerable sides. Readers need to see their weaknesses, opinions, and anything that irritates them or brings them joy. Maybe you don't like to admit it, but you may share a character's secret insecurities or habits. Something as minor as that can sometimes be enough to connect and care about a character.
Currently, I'm watching a television series that I find enjoyable, but at the same time, I could stop watching it today. It's not that the acting is bad. It's not that the storylines aren't intriguing. It's not that I'm never surprised. It's because I find all the characters a bit insufferable and don't care about them. The only part of me that's still interested is the part that's intrigued to see where the character development goes in the future. Will the characters start to break down? I'm in season two, and this is what I'm discovering, but there's still a ways to go.
And speaking of television series, I think that's why sometimes people hate the book-to-screen transition. Sometimes we connect very strongly to a character on the pages of a book, whereas the wrong actor or script can completely blow the entire thing out of the water. If my Hernandez series were to turn into a television series, I've always said that the wrong actor to play Jorge Hernandez would sink the entire ship. It's a delicate balance between books and what you see on a screen.
Characters have many sides. Let readers see them all.
It might surprise you to learn that meeting a character isn't all that different from meeting an actual person. I mean, there are some obvious differences, but in theory, it's quite similar. What do I mean? Let me explain.
When you meet a person, it takes time to get to know them. You can make assumptions about them, get your first impression, but it tends to take time to unravel the complexities of a human being. People are complicated. They're a series of experiences, heritage, genes, and self-concepts that makes them both fascinating and at times, difficult to understand.
Characters are also complex, a product of their environment, experiences, and views of the world. And contrary to what many people might think, you can't decide ahead of time exactly who they are and fit them in a neat little box. It usually takes writing about them and seeing them in various circumstances and conversations to slowly reveal who they are and how they fit into the world.
So, in essence, I meet my characters when they come along in the story, but getting to know them is a whole other thing.
Shortly after publishing my first book, Fire, in 2010, I was surprised when people started to inquire if the protagonist's story was based on my own life. This came as a bit of a surprise to me. It never would've crossed my mind that people would assume that my books were autobiographical, but apparently, that was a common belief.
As it turns out, I didn't spend my 20s in a rock band, with two of my bandmates in love with me. I didn't become famous, and most of all, my life wasn't quite as exciting as that of my protagonist, Tarah. Although, my protagonist and I did indeed have similar physical traits (petit and blonde), and that's pretty well where our similarities ended. If anything, I was living vicariously through my characters while writing the book.
I would later write about vampires in The Rock Star of Vampires, and Her Name is Mariah, which seemed to end any speculation that my characters were representative of my own life. After all, I'm pretty sure no one thinks that I'm a vampire. Of course, if there had been any uncertainty, I'm sure that ended when I started writing the Hernandez series, which centers on a man who used to be in the Mexican cartel.
Then again, one never knows what people think.
In my opinion, it's never a great idea to write about your own life or that of others you know, even if the book is technically fiction. In the end, it becomes more autobiographical, and rather than following a character and telling their story, you're telling your own. I can understand why someone might want to do this, but I would warn that this brings things a little too close to home, making it more difficult to see both sides of a story. To write a good book, I think you have to show other perspectives, not just that of your protagonist. Also, you have to consider whether or not you want people to figure out it's about you. There are things you might not want to share and books, even fiction, are deeply personal when unraveling your characters.
That's not to say that it's always a terrible idea. If you decide to write about characters based on you, my advice would be to distance yourself to get a broader view. I would switch up some details just to make sure no one catches on. 😉
Comedy may not be your genre, but it's still important to add a little humor to your writing. It gives characters dimension, it breaks up tension (especially in dramas), but most of all, it gives your readers an extra layer of entertainment.
Just like real people, characters have many sides to their personalities. Even the most complex personalities still have a funny side, even if it's not as prevalent. For example, in my Hernandez series, my protagonist Jorge can be described as intimidating, powerful, intense, and dangerous. Then out of nowhere, he'll make a sarcastic remark or comment that will make readers laugh. It may not be the top quality he's known for, but it's still thrown in from time to time to add a little extra flavor.
In general, humor is needed from time to time, especially if the particular story is very emotional or heavy. I know it may seem inappropriate in those situations, but again, just like in real life, we sometimes need a break when wading through difficult emotions. For example, if you're watching a movie where a character is dying, it can become very intense for the viewer to watch for a long time. However, if a child were to make an innocent (yet funny) remark or observation, it might break things up a bit for the viewer.
Comedy in writing shouldn't feel forced or overthought. Often if you follow the character's natural inclinations and personality, the humor comes out naturally and shows us their lighter side.
Secondary or supporting characters should never be taken for granted. Without this intriguing group of friends, enemies, and acquaintances, we certainly wouldn't have as much fun with our protagonist.
One of the most obvious reasons why we need secondary characters is to make the storyline more interesting. Can you imagine your favorite book or movie with ONLY the protagonist throughout the entire story? It would have to be one hell of a character, and all the weight would fall on their shoulders to keep things interesting. Supporting characters also add some extra dimension and overall flavor to the story with their own unique stories and problems. The protagonists often get caught up in the middle of their dramas. In my Hernandez series, Jorge often finds himself trying to help his friends and family through their dilemmas. Of course, these characters also work with and against the main character to contribute to his story.
Not to mention that secondary characters have a way of showing you who our protagonist really is; the good and the bad. In fact, it's usually other characters that best bring out everything from rage to love in our main character, and it's always interesting to see how the protagonist reacts to these emotions. Of course, some characters contain themselves much better than others but aren't the erratic, crazy people more likely to capture our attention?
Sometimes we find ourselves falling for the secondary characters as much or more than our protagonist. That's fine too. Just because someone is the main character doesn't mean they also have to be our favorite.
It can't always be smooth sailing for characters. There are times when the water is a little rougher than readers can handle. But does that mean writers should avoid uncomfortable topics?
If you're familiar with my writing, you already know that I hardly write about princesses and unicorns. It's not unusual for me to touch on some uncomfortable topics. Not to suggest there haven't been some that gave me a moment of pause, but in the end, I had to follow the story, and more importantly, follow the character and their journey.
Not to say that it's easy.
It's also possible that your readers may complain about where the story sometimes goes, especially when things get dark. The truth is that for many people, reality gets pretty dark sometimes and for a group of characters to avoid this is simply unrealistic, especially when involved in a long-running series.
In the end, you have to follow the story wherever it takes you. I think a character that experiences some extreme highs and lows, creates compassion from the reader while giving characters more dimension. We connect more with people (in both reality and fiction) if we see they've been through some soul-searching moments in their lives because we relate to it ourselves.
It's no secret that Jorge Hernandez isn't exactly crazy about Alec Athas, or the man he mockingly refers to as 'The Greek God' in the Hernandez series. The reasons are numerous, and most don't have a leg to stand on, and yet, he continues to keep control over the Canadian prime minister because he's an asset to him.
So, what's the deal? Who is Alec Athas? Let's get into some history.
If I'm not mistaken, Alec showed up in the 4th book in the Hernandez series, A Devil Named Hernandez. At the time, he was starting to think about entering politics and had asked Paige (Jorge's wife) if she would help him with his campaign if he decided to put his name in the race. As soon as Jorge learned this information, it was all over for Alec. He immediately jumped in with both feet and took over Alec's political career.
So, if Alec is the vehicle Jorge is using to make the changes he wants politically, why would there be any issues between the two men?
As it turns out, Alec is a prominent part of Paige's past. The two had a relationship in their 20s, and even though it's been many years since that time, Jorge continues to be wary of Alec's friendship with Paige. In essence, Alec is the opposite of Jorge in every way. He's the prince, while Jorge is more the evil villain. For example, Alec's intentions when getting into politics were good. Having been a social worker for many years, he felt this would be a way to make some differences that mattered. Jorge just wanted to have control.
As the series moves forward, the bitterness grows in their relationship. Often with Alec showing more attitude toward Jorge, whereas the sinister Latino never bothers to hide his contempt for Alec. The two men tend to lock horns, but in the end, Jorge always gets his way. But will it continue to be this way?
Writers can create crazy plots, but unless it rings true, the audience won't connect.
First of all, I'm going to point out that I'm not talking about any specific genres. For example, science fiction or fantasy may not ring true to most people because it's a step away from the world as they know it, but I'm not talking about that aspect. I'm referring to the substance of the story and the characters involved. Is what they're doing in a given situation make sense? Are they reacting appropriately when considering their experiences, history, ethnicity, health, beliefs, age, and the people in their world?
For example, I recently watched a television show where a couple hired a live-in nanny to look after their children. So, what didn't ring true? She was a total stranger with no (known of) experience and, as far as I can tell, no credentials. These characters are wealthy and live in a mansion, which adds an extra layer of wtf. What's wrong with this scenario? Does it ring true? Would most parents, let alone rich parents with resources, hire a total stranger to look after their children? My guess is no.
Our logical side is automatically skeptical in the same way as when we hear a lie. This same skepticism tends to move us away from the character because regardless of what disastrous thing this babysitter will potentially do, we're wondering why the hell the parents so casually hired a stranger in the first place; Are they unfit? Stupid? Are they too self-involved to think about their children's welfare? It doesn't make us root for the parents, but the children. So, unless this story is slanted to create compassion for the kids involved, it's not working. The viewer/reader must feel some connection with the character to be drawn in. So, unless you're also careless with your children, chances are you're not on their side.
Again, we have to consider many variables. Maybe if this family were poor, we'd have more compassion because they mightn't have as many options for childcare. Were the parents neglected as children, so didn't recognize that it was strange to hire a stranger to look after their children? Is it normal within their culture/family to be goosey loosey when looking for babysitters? Are they young, inexperienced, as parents? The point is that this situation normally wouldn't ring true. It just seems kind of stupid, actually, and makes me question if the writer just threw it together as a way to work a character into the storyline.
Can you think of books, television shows, or movies where things didn't quite 'ring true' for you? On the other side, can you think of a character you connected with and why?
Much like real life, fictional characters affect each other in many different ways. The reader must see the contrast and dynamics of various relationships within the story. Again, like with reality, everyone brings out various qualities in each other. Sometimes good and sometimes bad. That's what makes things fun.
In my Hernandez series, we can see the relationships between characters and how they evolve or change throughout the story. For example, the protagonist, Jorge Hernandez, has a powerful effect on others. He brings out everything from fear to admiration, and loyalty, depending on the character he's dealing with and the specific situation. We can sense the strength in his personality and how people react in turn. For example, some characters try to impress him, while someone like his teenage daughter instead might challenge him. His reaction to each also tells us a little more about who he is and his values. That's the beauty of character interaction; it allows us to see what pushes their buttons and what brings out both their best and worst traits.
One thing to keep in mind is that these connections change over time. Characters grow, some fade from the story, and others devolve. This is much like the people in our lives. It's interesting to see how each plays off the other, creating fascinating plot twists and subplots.
The most important thing is to bring out the 'human' in characters, and really, is there anything more human than our relationships and interreactions with one another?
Sometimes it's a good idea to take a moment to get in touch with your characters to get back up to speed. This could be for several reasons, including if you had to take a break from writing for some time or maybe you're feeling a little disconnected from your characters. Let's face it, life can interrupt the little fantasy world you've created, and it's sometimes difficult to get back on track.
So what do you do?
I write notes about each character and consider what's going on with them during different points in the story. What are they feeling? Do they have an issue that's been on their mind? How are they getting along with other characters? What are their fears or worries? What have they done recently or plan to do in the future?
Catching up with your characters is similar to catching up with old friends. You want to get a sense of where their headspace is or what's going on in their lives. However, just like everyday people, some characters are more forthcoming than others. You may hit a few walls at times, and if that's the case, you have no choice but to accept it.
Remember that your characters are the blood in the veins of a story. Regardless of how great the concept unless the characters are relatable, likable, and compelling, the reader might lose interest. For that reason, staying in touch with your characters is an important element in the writing experience.
