Why I do YouTube and Rumble videos 📽📺🍿

Someone once asked me if the goal for my YouTube channel was to become a YouTube star. This question made me laugh since my subscribers and views are borderline pathetic. Even with 200 short videos, my channel never caught on fire, but I don't worry about this since it was never my goal in the first place. 

So, what was my goal when I recorded that first video (since deleted) a few years ago? It was simply to get through the recording without passing out. After all, when you don't breathe for a few minutes while in a state of panic, sometimes it doesn't end well. I was terrified. Now, I could pull it off with little issue, but with experience, my confidence has grown, which was a bonus. 

Now, my goal with both my YouTube and Rumble videos is to tell people about my books, answer frequently asked questions (about my Hernandez series and writing in general), and address topics that I know concern new writers. Of course, I would love to get as many eyes on my videos as possible because this is another avenue that could create attention for my books. However, a successful channel isn't my main goal. 

How can you help? Check out some of my videos on either channel, share them on social media or with friends you think may be interested, and subscribe! Thank you in advance!

Let's talk about courage 🦁

The theme for my 18th book (the 13th in the Hernandez series) will be courage. I thought this was important since I fear that courage is a trait that's currently lacking in our world. Some will speak up and feel the need to have a voice, while others cower away and feel more comfortable going with the flow. It's been suggested that it's a generational situation, but I don't know. Without a backbone, do you have anything?

Anyone familiar with my Hernandez series is aware that the protagonist is fearless. In a way, he represents the courage many people wish they had, the freedom to speak up whenever they want, with no consequences. Of course, in the real world, that isn't always possible. We live in a time where some people hold puppet strings that can easily get tied up in a knot. 

In the world of Jorge Hernandez, there will be no one and nothing that gets in his way. No one intimidates him. Nothing scares him (and if it does, he will never let you know). Although some might rightfully suggest that his courage may sometimes go a little too far, these extremes in my series are to make a point. For example if Jorge is going up against someone in Big Pharma and takes extreme measures to make a point, it's representative of a society that perhaps has justifiable anger about the same oligarchs. Jorge takes on a lot of people, many of which represent ideas and behavior that those with courage might be already questioning. Not that new ideas aren't good, but we increasingly live in a society where there's a 'right' and 'wrong' view to have with no discussion allowed. Jorge Hernandez knows what he believes. No one tells him how to think. He listens but isn't swayed because of his strong personal beliefs. The popular vote isn't necessarily his vote. 

Although his tactics are questionable, no one can argue that Jorge Hernandez has courage. In a tight situation, you want this guy in your corner. 

Why my books are so political 🤥

Love it or hate it, politics affect many aspects of your life. Unfortunately, people often don't pay attention until they are personally affected by a law or mandate. If you are Jorge from my Hernandez series, you make sure things never get to that point because you go right to the top and take control.  

Jorge had barely arrived in the series when it became clear that he would be very involved in politics. Early on, he talked about how the only difference between the corruption in Mexican politics (his home country) and Canada is that Canadians hid it better. Jorge ripped the blinders off and revealed a much darker side of politics, never hiding the fact that he planned to control politicians to benefit his priorities.   

When Alec Athas entered the series, talking about potentially entering politics to make positive changes from the inside, Jorge knew he had found the perfect person to control. With Jorge's manipulation, Athas was successful on a local level. When an opportunity to fill the elite position of prime minister came up, Jorge continued to push Athas forward, with the not-so-subtle warning that he owned him. As he so bluntly put it in one book, 'You gotta dance with the one who brought you'. The two men have been dancing ever since, and there's no question which one of them is leading. 

Humor in writing 🤣(Updated)

Comedy may not be your genre, but it's still important to add a little humor to your writing. It gives characters dimension, it breaks up tension (especially in dramas), but most of all, it gives your readers an extra layer of entertainment.

Just like real people, characters have many sides to their personalities. Even the most complex personalities still have a funny side, even if it's not as prevalent. For example, in my Hernandez series, my protagonist Jorge can be described as intimidating, powerful, intense, and dangerous.  Then out of nowhere, he'll make a sarcastic remark or comment that will make readers laugh. It may not be the top quality he's known for, but it's still thrown in from time to time to add a little extra flavor. 

In general, humor is needed from time to time, especially if the particular story is very emotional or heavy. I know it may seem inappropriate in those situations, but again, just like in real life, we sometimes need a break when wading through difficult emotions. For example, if you're watching a movie where a character is dying, it can become very intense for the viewer to watch for a long time. However, if a child were to make an innocent (yet funny) remark or observation, it might break things up a bit for the viewer.

Comedy in writing shouldn't feel forced or overthought. Often if you follow the character's natural inclinations and personality, the humor comes out naturally and shows us their lighter side.

Do I have to read the entire Hernandez series to follow the latest book? 🧐(Updated)

No. 

Well, that was a short article.

Maybe I should elaborate.

A book should be strong enough to stand on its own. Sure, there should be some details explained in a general manner to give the reader some idea of the most relevant information. Of course, this is without spoiling the plot or digging too much into the past. One clean swoop should take care of everything the reader needs to know.

For example, if you wrote a book with a complicated plotline and followed it up with the sequel, you wouldn't give the reader every detail from that previous book but a vague and summarized explanation that keeps the reader on a need-to-know basis only. 

For example, in my Hernandez series, I often refer to Jorge Hernandez's shady past but never get into his complicated history. I let you know that he is brutal, dangerous and no one gets in his way. However, I don't go into an explanation of the crimes he committed. Nor do I discuss the revenge, the murders, the corruption, nor do I talk about the threats, manipulation, and ...I think you get the idea. 

In essence, he's crazy, he's dangerous, and you don't want to get on Jorge's bad side. 

In the end, there should be enough information about the previous books in the series to create intrigue. After all, if they fall in love with the book in their hands, chances are they'll want to snatch up the ones that precede it. 

OMG! I finally fit into a genre! 😝(Updated)

For all the times I complained about not wanting to be stuck in a genre, I've finally found the perfect one!

Ever since my first book, I've never been comfortable classifying any of my books into a specific category. Nothing ever quite fit. There was romance, action, suspense, murder, dark humor, and even some vampires thrown in a couple, but none of these specific genres felt right. It was as though all my books included so many things that it was difficult to categorize them properly, so I chose instead to toss everything into the 'dark fiction' category. It seemed like the most accurate, if not the ideal category.

Recently, I stumbled across the concept of counterculture, and I was immediately intrigued. What was that exactly, and why did it sound so appealing? As it turns out, counterculture tends to be a way of life that goes against social 'norms'. This demographic rejects 'conventional' society choosing instead to live by their standards. 

This grabbed my attention.

In my first two books (Fire and A Spark before the Fire), my characters reject society's values by striving to become rock stars, which in itself tends to be a very counterculture lifestyle.

In my third and fourth book, The Rock Star of Vampires and Her Name is Mariah, I tackle the underground world of vampires. You can't get much more counterculture than that, can you?

Maybe so.

In my current series, my cast of characters tends to go against pretty much all social norms. They make their own laws, follow their own rules and do so without a second thought. Murder, corruption, collusion, and torture are engrained into their lives as if they were the most natural thing. That's pretty counterculture.

My books finally have a home, and it's pretty awesome.

Dialogue that pops! 😉 (Updated)

The sure sign of great dialogue is when readers recite lines from your books! It's the ultimate compliment. 

We've all had friends quoting characters from their favorite television shows and movies. Some lines are almost as legendary as the programs themselves, and yet, some people aren't aware of what's involved in writing great dialogue. There are a few things to be considered.

1. Keep it fresh. We don't need to hear the same lines already overused in television, books, and movies. The only exception is when it's being used on purpose to be ironic. For example, in The Devil May Lie, there's a point when Jorge Hernandez, a bloodthirsty criminal, quotes a line from I Love Lucy that greatly contradicts the lighthearted comedy from the '50s. I think he might even have a gun to someone's head when he uses the line, "Lucy, you got some splainin' to do."

2. Keep it interesting. Let's bypass the same boring conversations you'd have with your great aunt at a wedding. Avoid talking about the weather (unless it's relevant) and the "hi, how are you?" dialogue, if at all possible. I only use something like this if purposely trying to show awkwardness in a conversation. People are bored enough in real-life conversations, so keep your character's dialogue engaging. 

3. Don't ramble. I'm the queen on rambling (which you'll know if you ever watched my YouTube channel 😝) but when it comes to characters, make them get right to the point. Don't beat around the bush. Storylines are limited to a certain amount of many pages. Your job is to get everything packed in tight like a suitcase about to be weighed at the airport. Don't bring boring shoes you don't need.

4. Remember each character has a dialogue pattern. Your best friend or crazy aunt uses specific words, speaks distinctively, and responds predictably. For example, I once worked with a girl who never went to the bathroom, but the facilities' Some people mispronounce words while others use slang terms or swear when they speak. Depending on where they live, their status, and their first language, you might expect vastly different dialogue patterns. Someone who grew up in the UK, for example, may use a word that has a vastly different meaning in North America. A middle-aged woman who works in an office setting may speak differently than a 20-year-old man who works in a garage. Many of my characters are from Latino countries, so it's not uncommon for a little Spanish to get mixed into their conversations.

5. Don't overthink conversations. In real life, if you overthink a conversation, it tends to sound too stiff. The same goes for characters. Stay balanced and go with the flow when writing dialogue. See where it takes you. Sometimes, it might move the story in an unexpected direction, and as I always say, if you don't expect things to go a certain way, neither does the reader!
In the end, you want sharp dialogue that's dramatic and honest. Make the conversation pop!

The super crazy last chapter 😜(Updated)

Don't let the last chapter fall flat; make it a wild ride till the end.

The problem that I noticed (while reading fiction) is that it often has a predictable pattern. The story usually builds to a climax, eventually resolving, only to fade away in the final chapter. I find the last chapter in a lot of books is simply tying up loose ends, and for that reason, I often skim through then read the final paragraph. It would be the same as watching a season of your favorite television show and having no drama or action in the last episode but just the characters sitting around having a chat and hugging a lot.

Something that I've learned along the way is that you need action, suspense, and surprises even as the book winds down. And yes, that includes the last chapter. Contrary to whatever your high school creative writing teacher taught you, finishing a book shouldn't simply be about tying a pretty bow on it.

In my Hernandez series, my goal is to keep things crazy till the end. I've finished books with shootouts and suspense, but probably most importantly, I've left a lot of questions hanging in the wind. There's always an implication that something more is around the corner. I want readers to finish my books and wonder about the characters. I want to set their imaginations on fire. And to me, that's important of all.

Why is the first paragraph so important? 🤓(Updated)

They always say how important it is to make a solid first impression. When you think of today's world where everything is fast-paced, and people are much too rushed to give much of anything a second try, it's more important than ever to capture a reader quickly; but how do you do that?

The obvious answer is to have an engaging first chapter. It doesn't have to be perfect. It also doesn't mean it has to be over the top or gimmicky. It means that you want the reader to get a sense of what they're getting themselves into! What is the theme of this book? What is the genre?

As a writer, the first paragraph is like meeting someone new for the first time. If you want to make a good impression, you'll probably throw on some makeup, hopefully, some clean clothes, and put a little extra attention on your hair. With books, it's really about pulling someone in and showing them a glimpse into your character's world.

For example, in my 11th book, The Devil May Lie, I talk about the significance of power in our world. What does it mean? Why do people want it? I talk about how it starts when we're children on the playground and ends in our death. I also say we lust after it as if it were the flesh of a lover. I use specific words that are powerful like, bold, passionate, addictive, crave, roaring. These words give readers a sense of what is to come. If I were writing something with a romantic theme, I would probably choose powerful words associated with passion. If my book had more of a family theme, I might use gentle words that give the impression of a soft place to fall, such as comfort and warmth.

Another thing I want to note is that I often connect the first paragraph in chapter one with the first paragraph in the final chapter (in my case, chapter 50). So once again, in The Devil May Lie, I talk about power in the last chapter. This is important because we're revisiting the place we started to see where we are on the same topic. In this last paragraph, I ask the question; When do we have enough power? When do we cross the line? Who wins when there's nothing left to take? I hope that after having read the entire book, this gives you something to ponder.

 

The first paragraph should give readers an impression of what they can expect. Of course, you have to remember that just as with a relationship, you must work hard to keep the reader interested throughout the book and to live up to that first impression.

Let's talk about the conspiracy theories in my books 😱(Updated)

My readers know to expect a few conspiracy theories in my books, but how did it get started, and why do I do it?

One of my strongest motivations as a writer has always been to make people think. I know other authors are content to entertain, warm hearts, and create hope with their readers. So in many ways, I guess I do the complete opposite. Where other books might be a soft place to fall at the end of the day, I prefer to introduce topics that make my readers think, wonder, and consider.

This is not to say that any conspiracy theories brought up in my books are right or wrong. In most cases, they work well with the story and cause a little more intrigue, leaving the reader some food for thought. I think it adds an element of excitement to the book. Also, it gets the reader more involved in the story. And if a reader feels more involved in the story, it helps to make them feel more connected with the characters, and really, isn't this what it's all about?

In the end, I'm not trying to change anyone's mind. But in a world where we're conditioned to feel certain ways about specific topics, I think it's kind of neat to shake things up.

Animals and Devils 🐺😈(Updated)

If you're familiar with my series, you probably already know that the books have an animal and devil theme in the titles. But why is that?

As I said in previous videos, this became the series that wasn't meant to be a series. It started with a book called We're All Animals in 2016 and took off with the follow-up, Always be a Wolf, a few months later. This portion of the series follows protagonist Chase Jacobs, a naive, small-town boy who tends to try to do the right thing.

And that's when things take a bit of a turn.

In the fall of 2017, the devil-themed titles start appropriately with the blood-thirsty thug Jorge Hernandez as the protagonist. The Devil is Smooth Like Honey followed the life of the Mexican narco who's about to take over the legalized pot industry in Canada. While Chase was very much the boy-next-door, Jorge is the complete opposite, demonstrating the vast differences in characters. Having Chase as an employee, both men tend to have an influence on one another as the series continues with A Devil Named Hernandez and And the Devil Will Laugh. (Since this blog was posted, there are MORE books with animals and devils in the title. Go HERE to learn more.) 

I've always said that I love character contrasts in books and feel that extremes have a way of balancing each other out. I'm curious where this will go in the future because I predict a shift in both of these characters in my next book. Will Jorge bring out the bad in Chase and Chase bring out the good in Jorge, or are certain aspects in their DNA to stay? What do you think?

The Devil is Smooth Like Honey 😈 (Updated)

The Devil is Smooth Like Honey is the 3rd book in the current series by Mima. It follows We're All Animals and Always be a Wolf. Here's a quick overview of the book:

El narco. A monster. Un diablo. Jorge Hernandez had been called many things, and it always made him laugh. If there was one word that could be used to describe him, it would be untouchable. Corrupt politicians combined with his charming disposition had contributed to Jorge’s success, but it was often the underlying threats behind his handsome smile that sealed the deal. He was unstoppable.

In Paige Noël, he had met his match. She was a woman as dangerous and sadistic as she was soft and gentle. The last thing he expected was to propose after an explosive first meeting, but the intense fire between them was as addictive as the thrill of violence and power.

When some of his personal enemies turn up dead, Jorge shuffles his daughter into a Canadian school, deciding that things are getting a little too hot in Mexico; but does life ever slow down in this dark underground world? 

Check out ALL the books in the Hernandez series. 

Check out the CBC interviews, local articles, and more at www.mimaonfire.com

It's All About Perception 🤔 (Updated)

We all have our unique perceptions. Two people can look at the same picture, watch a movie or read a book and interpret it differently and that's ok. We all judge things according to our individual experiences and opinions. For example, someone who's had a violent past may cringe if watching a movie filled with bloodshed, while someone else might love the same film.

For that reason, I don't think authors should be offended when people don't like their writing. It doesn't matter if you're a bestseller or a new author, there will be people who connect with your work and others who aren't interested. It depends on your topic choice, your writing style, and what captures the reader. And that's ok. You don't have to be for everyone.

It's just a matter of perception.

I've also had people read my books and interpret them very differently than how I had intended. I've had readers miss crucial points and others who didn't like certain characters. Of course, on the flip side, I've had readers that understood and connected with the plot, noticed things that even I had overlooked, and had a fascination with specific characters.

Unfortunately, many writers spend too much time focusing on the negative and unpleasant rather than the positive. I guess that's human nature. We zero in on the criticisms, and to a point, that's a good thing because it's sometimes a learning curve or a lesson for us. Other times it's irrelevant and not something we should spend any time overthinking.

Do we judge people by what they read? 👩🏼‍⚖️ (Updated)

Let's be fair. We all judge others. Whether it be other people's life choices, taste in music, or clothing, we all judge from time to time. It's none of our business, but it doesn't stop us from occasionally turning up our noses when noting other people's decisions. 

Books, as it turns out, are no different. This was something I discovered while in my 20s when a date dropped by my apartment to see a book lying around and immediately mocked me for reading fiction. I wonder what he would think if he knew I now wrote it. He immediately turned his elitist nose up, attempting to shame my decision to enjoy a VC Andrews book because it was merely 'fluff'. He didn't make my Christmas card list that year. 

The point is that some people judge others by what they read, and I'm sure, also by what they write. I've had people giggle that I wrote a couple of vampire books but sit up a bit straighter when I describe my recent series of blood-thirsty gangsters. I guess criminals and murder are taken more seriously than vampires. 

When I put the question out (with this original YouTube video 👇🏼) whether people judged what others read, I got a very candid yes in reply. What do you think?