Writing about characters that are vastly different from you 🤫(Updated)

Different ethnicities, the opposite sex, and even vampires; is it difficult to write about characters when they are nothing like you?

The truth is that we're usually writing about characters that aren't necessarily like ourselves. Even if you write about characters of the same sex, age, or even from the same part of the world as you, they still are not you. If the character is the same as you in every way, then your book is autobiographical, not fiction. 

In my first book, Fire, I wrote about a young, blonde, white woman named Tarah. Many people seemed to draw a parallel between her and me because we had a similar physical description. However, that's where the similarities ended. Her story was vastly different from mine, meaning I had to dive deep into my imagination to connect with this protagonist. She was a musician turned rock star and had experiences I knew nothing about. Her life was vastly different from my own at that age. 

I then wrote A Spark before the Fire, which followed a teenage male character.  I feared that this was way out of my comfort zone. After all, how could I write from the voice of a male teenager? Where would I even start? When I began to write, I was surprised when the inner dialogue of a young male flowed naturally. It was very instinctual, and that's been my process as I continue to write about characters vastly different from me. 

I've since written about vampires, narcos, assassins, children, and people of various ethnicities, ages, and sexual preferences. The key is to listen for the character's voice, and it will tell you everything you have to know. 

I'd recommend anyone struggling with this to find a quiet place and time to do their writing and focus on their inner voice. Stay calm, stay centered, and start writing. If your instinct is to write about a specific character, chances are they're ready to come out and play.

Dialogue that pops! 😉 (Updated)

The sure sign of great dialogue is when readers recite lines from your books! It's the ultimate compliment. 

We've all had friends quoting characters from their favorite television shows and movies. Some lines are almost as legendary as the programs themselves, and yet, some people aren't aware of what's involved in writing great dialogue. There are a few things to be considered.

1. Keep it fresh. We don't need to hear the same lines already overused in television, books, and movies. The only exception is when it's being used on purpose to be ironic. For example, in The Devil May Lie, there's a point when Jorge Hernandez, a bloodthirsty criminal, quotes a line from I Love Lucy that greatly contradicts the lighthearted comedy from the '50s. I think he might even have a gun to someone's head when he uses the line, "Lucy, you got some splainin' to do."

2. Keep it interesting. Let's bypass the same boring conversations you'd have with your great aunt at a wedding. Avoid talking about the weather (unless it's relevant) and the "hi, how are you?" dialogue, if at all possible. I only use something like this if purposely trying to show awkwardness in a conversation. People are bored enough in real-life conversations, so keep your character's dialogue engaging. 

3. Don't ramble. I'm the queen on rambling (which you'll know if you ever watched my YouTube channel 😝) but when it comes to characters, make them get right to the point. Don't beat around the bush. Storylines are limited to a certain amount of many pages. Your job is to get everything packed in tight like a suitcase about to be weighed at the airport. Don't bring boring shoes you don't need.

4. Remember each character has a dialogue pattern. Your best friend or crazy aunt uses specific words, speaks distinctively, and responds predictably. For example, I once worked with a girl who never went to the bathroom, but the facilities' Some people mispronounce words while others use slang terms or swear when they speak. Depending on where they live, their status, and their first language, you might expect vastly different dialogue patterns. Someone who grew up in the UK, for example, may use a word that has a vastly different meaning in North America. A middle-aged woman who works in an office setting may speak differently than a 20-year-old man who works in a garage. Many of my characters are from Latino countries, so it's not uncommon for a little Spanish to get mixed into their conversations.

5. Don't overthink conversations. In real life, if you overthink a conversation, it tends to sound too stiff. The same goes for characters. Stay balanced and go with the flow when writing dialogue. See where it takes you. Sometimes, it might move the story in an unexpected direction, and as I always say, if you don't expect things to go a certain way, neither does the reader!
In the end, you want sharp dialogue that's dramatic and honest. Make the conversation pop!

Choosing the right words 🤓(Updated)

Words create an impression with the reader, whether it is the narrative or the specific wording that a character uses. It's always important to consider your characters, environment, and mood involved when choosing your words.

I'm very aware of the words I choose when setting a scene, especially with dialogue in my Hernandez series. Since the books are about bloodthirsty criminals, it only makes sense that the words surrounding them represent that mood. Powerful words are essential, right from the first paragraph, and the protagonist must set the tone for the reader. We need to get a feel for the personality we're about to take a journey with, preparing us for the adventure we're about to embark on.

It's not uncommon for me to go back and change the wording simply because I feel there's a better way to communicate to the reader. Having said that, I don't think writers need to overthink words and become too analytical. Perfection isn't a requirement.

It's also important to consider what is appropriate for your reader. Who's your audience? How old are they? What feelings do you hope to instill in readers? A suspense book would read differently than a romance novel., for example. 

Also, what is the character's background? Educational level? Where do they live? A young Mexican cartel member with a 10th-grade education speaks differently than a middle-aged lawyer living in Toronto. Their experiences, lifestyle, associates, vocabulary are vastly different. 

If you're new to writing, don't let this intimidate you. You can always go back and change the words later. Regarding characters, the more you get to know them, the easier it is to automatically know how they talk and what they will say (think of people you know well and how you come to be familiar with their dialogue patterns)

Remember, when writing a book, essay, or article, words are all you have to work with, so make them count.

Why do you always write about criminals? 🔪(updated)

One of my most asked questions is why I write about criminals. For those not familiar with my books, this inquiry springs from the fact that most of my books are based on the criminal POV rather than the more socially acceptable, commonly used perspective of the detective, lawyer, or, in other words, the 'good guy'. Essentially, what I'm saying is that I prefer to write about the 'bad guy' or more the anti-hero type characters.

It started innocently enough. This was the series that was never meant to be a series, starting with a book called We're All Animals. In it, I explored a character named Chase Jacobs and his coming of age problems that led him down a dark path that linked up with the people he now refers to as his associates. Of course, it had to be introduced slowly, carefully, and in such a way that showed how people could find themselves in this world even if it was never their intention.

I love writing from an alternate POV rather than the more common ones used in books. It's interesting to explore a character that is normally viewed from a third-person perspective, instead, showing all the dimensions and unravel their many layers. It's very easy to just throw everybody into a simplified category but it takes a little more effort to consider where that person came from, what their experiences have been, and what drives them. People are vastly more complicated than some writers would have you believe.

There's also something invigorating about sinister characters. It can be quite addictive and fascinating to write about them. It allows my imagination to go to all kinds of dark places that you simply can't explore with primarily law-abiding and 'good' characters. And if you do, it becomes the central theme of the book rather than a component. For example, if a 'good' character does something terrible, it becomes the plot, with the protagonist attempting to understand and justify their behavior. If a 'bad' guy does the same thing, it's not such a shock and just becomes another event in the book.

When you're a writer, shouldn't you be searching for different scenarios, alternate voices, and most importantly, intriguing storylines that aren't following the same, tired format?

Why my characters aren't shooting as many people 😱(Updated)

Here's a spoiler alert 🚨- if you haven't already read my books, you should know that there's usually a body count. 😲I'm attempting to get away from having my characters using guns, but does that mean my books are becoming less violent, and why am I making these changes?

First of all, I'm tired of guns. Between mass shootings, the vast amount of television shows using them (more shows than not, I'm guessing), and of course video games, I thought maybe we could use a bit of a break from guns.

Does that mean my books are less violent? No. I'm trying to find more creative ways for my characters to either get revenge, attack or hurt their adversaries without using a revolver. This isn't to say the gang in my series has tossed their guns aside, quite the contrary. I feel that they're used so often in movies, television, and books that perhaps it's time to find more interesting methods rather than relying on the easiest, most thoughtless, and overused options in fiction.

In many ways, we're desensitized by guns. When a character pulls out a gun in your favorite piece of fiction or Netflix show, we hardly blink an eye because it's the norm. Sadly, it doesn't pack the same punch as it should, and in turn, this doesn't keep readers or viewers on high alert. You know what keeps viewers on high alert? A machete. An ax. A chainsaw. One must be creative.

I also believe there is a certain amount of passion when a character attacks his or her victims with a more barbaric weapon. In reality, guns are somewhat lazy, when you think about it.

If you're one of my readers, don't expect things to calm down and you won't suddenly find my books in a Christian book store but you might find a few other surprises. 😏

Does a weak moment make a weak character? (Updated)

Just like real people, the strongest of characters have weak moments. Why should the reader see this contrast? As a writer, how do you demonstrate it?

First of all, the best characters are often complicated and full of contradictions. This gives them many layers and makes them seem more 3-dimensional and therefore, realistic. After all, most of us are also complicated and full of contradictions. This helps to make characters relatable to the reader. We like seeing that we aren't the only ones who are a bit messed up. Also, witnessing a strong, larger-than-life character falling apart makes them much more humble. We like that. 

A perfect example would be Jolene Silva, who is my current series. Jolene is strong, confident, powerful, and someone I would describe as a femme fatale. However, at one point in this series, the Colombian bombshell reveals a weak side to her personality that no one saw coming. She makes a series of bad decisions that places her in a dangerous position with Jorge Hernandez and his crew. After a long, difficult road, she finally is trusted by la familia again and comes back stronger than ever. 

I love this because it shows how the strongest characters can fall apart but can bounce back under some of the worst circumstances that life puts them in. There's something very reassuring and comforting about that fact. 

Never assume a weak moment makes a weak character. In fact, it actually makes them more human. 

Animals and Devils 🐺😈(Updated)

If you're familiar with my series, you probably already know that the books have an animal and devil theme in the titles. But why is that?

As I said in previous videos, this became the series that wasn't meant to be a series. It started with a book called We're All Animals in 2016 and took off with the follow-up, Always be a Wolf, a few months later. This portion of the series follows protagonist Chase Jacobs, a naive, small-town boy who tends to try to do the right thing.

And that's when things take a bit of a turn.

In the fall of 2017, the devil-themed titles start appropriately with the blood-thirsty thug Jorge Hernandez as the protagonist. The Devil is Smooth Like Honey followed the life of the Mexican narco who's about to take over the legalized pot industry in Canada. While Chase was very much the boy-next-door, Jorge is the complete opposite, demonstrating the vast differences in characters. Having Chase as an employee, both men tend to have an influence on one another as the series continues with A Devil Named Hernandez and And the Devil Will Laugh. (Since this blog was posted, there are MORE books with animals and devils in the title. Go HERE to learn more.) 

I've always said that I love character contrasts in books and feel that extremes have a way of balancing each other out. I'm curious where this will go in the future because I predict a shift in both of these characters in my next book. Will Jorge bring out the bad in Chase and Chase bring out the good in Jorge, or are certain aspects in their DNA to stay? What do you think?

Should characters ever be based on people you know? 🤔(Updated)

I recently stumbled across a video recommending that writers base characters on people they know. I cringed.

I never pretend to be a writing expert. I do feel that after a few books, I've learned a couple of things along the way. Basing characters on people I know never seemed like a good idea, and therefore, I never did it. To begin with, I'm assuming there would always be a paranoia of someone 'discovering' that a character was strangely like them, not to mention hurt feelings, potential arguments, and maybe even a few Facebook rants...as much as we all love those.

Most importantly, I feel that characters create themselves. You might have a few ideas of who they are or what they're about, but in the end, characters tend to form as you write the story. It's kind of like having a child and assuming the personality you think they'll have; chances are, they'll soon show you that you never had a say in the first place.

Characters are complex. As a writer, you'll probably have a deeper understanding of your characters than most people in your life. You can see inside their heart and understand what makes them tick. This makes sense because you're on a long journey together.

The interesting thing about characters is that they often are a piece of you. Just like every songwriter inserts a piece of who they are in their songs, every author tends to do the same with their characters. It's not something you think about, but rather it just happens. Maybe one of your characters shares your fears in life or your fixation on a specific pet peeve. The characters are unique, but they're also you.

And really, isn't that what makes the writing process amazing?

The loyalty factor 👊🏼 (Updated)

One of the aspects that I think people find most appealing about my current series is the loyalty factor. Actually, as the writer, this is one of the aspects that I also like the best. There's something to be said about a group of people who can trust each other, literally, with their life. We find comfort when watching or reading about these relationships because loyalty is a trait we respect. 

In today's society, many people don't necessarily feel that they have loyalty in their lives. If we're lucky, we might have a small group of people that we would even put in that category, and even then, many of us have also fallen into the 'blind faith' scenario, only to find ourselves shocked when someone lets us down. We've seen disappointment in relationships, friendships, employers, and family, to name a few. To a point, loyalty might not only be a hot commodity, but it might also feel like a rare one, making it even more precious.

When I think about shows that have been popular over the years, I notice that characters' loyalty to one another has been prevalent. It doesn't matter if it's friends living together or a group of gangster/mobster characters; the basis of their relationship is often loyalty, whether the protagonist is dealing with a broken heart or a broken body. It doesn't matter if these relationships are dysfunctional most of the time; what matters is that when needed, these people show up for one another.

It takes time to demonstrate loyalty. The beauty of writing a series is that I have the opportunity to create and show the strength of these relationships through time, as it continues from book to book. Interestingly, real life is not that different, except it runs over years. 

Knowing the ending first 🤭(Updated)

I know it's common for many authors to 'write the ending first' when outlining a book. However, I don't. There are two things in that sentence that I don't do. I don't outline, and I don't know the ending when I start writing a book. I like the surprise element. If I'm surprised, then so will be my reader. 

But then I geared up to writing my 11th book, and something strange happened. I knew the ending first. 

I fought it. I tried to push it aside, but the final scene was too powerful for me to ignore. This forced me to get out of my comfort zone. I eventually started writing with the ending crystal clear in my mind. 

I won't lie. This freaked me out. 

UPDATE: In the end, even with some ideas on how my book would end, it turned out there were still a few surprises. I guess it's great to have some ideas about how the ending will look, but again, if you're surprised by the final pages of your book, so will the reader. 

Switch away from the protagonist?? Don't mind if I do! 😃 (Updated)

There's a little something I like doing at least once in most of my books. I like switching away from the protagonist. So essentially, I have another secondary character take over the story for one chapter, usually around the middle of the book, to give the reader another perspective. It also allows me to shake things up a bit. It adds another layer to the book.

The beauty of it is that you can have a better overall view of the protagonist. For example, if your protagonist has a specific point of view about themselves, you might swing around to another character who draws a different picture. It gives the reader food for thought. Maybe the impression that the protagonist has given isn't accurate. Then again, it might change your opinion of the secondary character as well, since you will be seeing them up close and personal.

I do this with almost every one of my books and find that it gives me a different perspective. Sometimes the only way to understand where a secondary character is coming from is to climb inside of their mind. It's fascinating.

It's all about energy! ⚡️ (Updated)

How important is the balance of energy between characters in a book?

Some characters have a high energy level, and others are more low energy. The key is to have the right mix to balance everything out. 

Some characters have a high energy level, and others are more low energy. The key is to have the right mix to balance everything out. I learned this lesson after writing my first book, Fire, in 2009. The story was about a rock band in the 90s, and I immediately recognized the power difference between characters. The protagonist Tarah appeared to be alone against two other band members. A fourth band member wouldn't get involved in the dispute. In comes a fifth character that automatically jumps on Tarah's side and causes a more even playing field within the book. With this, the energy level changed for the protagonist. She had more power, which enhanced her character and the feel of the book. 

Another example would be the couple in my Hernandez series. Married couple Jorge and Paige Hernandez are very similar in some ways, yet vastly different in others. Personality-wise, they are worlds apart. Jorge is loud, blunt, abrupt, and aggressive. Paige is quiet, soft, calm, and fair. The two balance each other out in many ways, which work in their various scenes together.

When you think about it, real life isn't so different. There is always an energy dynamic.

The Curse of Chapter Two! ✌🏼(Updated)

For some reason, I often have issues writing chapter two. I guess it's because there is so much drama in chapter one that it seems to kind of fall flat in comparison. Also, I'm responsible for setting up the story and introducing the characters in the first couple of chapters, and in the second chapter, I have to find a way to finish pulling it all together. 

At least, that's what I try to tell myself.

In honesty, since recording this specific YouTube video talking about the issue, I've been going out of my way to make chapter two as dynamic as the first chapter. But for some reason, I still find it hard to get on track, very much in the same way as I have difficulty getting on track before my first cup of coffee. Or maybe my second cup of coffee. It's just an awkward chapter for me, but maybe it's a personal thing. 

Is there a curse of chapter two? Maybe it's simply just a challenge. 

What do I learn from characters? 🤨 (Updated)

What do we learn from characters, and how does this connect with our own lives? Do I always agree with my character's decisions? Why is it important to follow along on their journey with no judgment?

Characters can teach us a lot about life. As with life, sometimes you have to let go of the wheel and let the characters take over and see where it takes you. In everyday life, it's usually a lot easier if we do the same. Not to say that you should be lying around on your couch waiting for an opportunity to come to the door, but sometimes it is better to be less controlling about your day. We often have a 'to do' list that is unreasonably long and then get discouraged when we can't check everything off. To a degree, you could say the same about characters and plots. You can't force them ahead but let them move at their speed. 

Having said that, my books tend to move very fast. Of course, they don't always go in the direction I expect. But if a character surprises me, that means that my reader will most likely be surprised too. And isn't that we all kind of want?

Characters, Characters, Characters! Why we love Awesome Characters! 😇😈 (Updated)

Is there a character that you love? It doesn't matter if it's on television or in your favorite book; is there someone that stands out and is exciting to read about or watch? Why is character development so important??

If there's one thing that stands out to me in a great book or television show, it is specific characters. In my mind, these personalities (or lack thereof...) can make or break a show. You can have awesome plot twists and terrific writing, but if you don't have characters that people connect with, it things can fall flat.

We like variety, diverse and dynamic characters. As I've said before, we love personalities that jump off the page because they seem realistic and charismatic. They're the people you want to learn more about with every chapter or, in the case of a television show, each episode.

Characters should grow, especially in a series. Just like everyday people, it seems a bit unusual to not see growth or, at the very least, a change in opinion over time. As you learn about the characters, they're often learning about themselves. Even more interestingly, the characters you're drawn to might also be telling you something about yourself.

Why it's important to see through the character's eyes 👁 (Updated)

One of the aspects I like best about writing has been getting inside a character's head. I love being able to see things from their eyes. I want to understand where they are coming from and how much previous experiences affect their decisions. Human nature is fascinating. 

With characters, you have no choice but to understand and appreciate their journey. This is probably the biggest lesson I've learned from writing and one that I apply to my everyday life. When I started writing as a teenager, this was the main reason it appealed to me. I felt people didn't understand each other and that through characters, we could all open our eyes a little wider and perhaps show some compassion toward one another.

Fast forward to years later, and I think this lesson is even more relevant than ever. When we look at our world today, we see a strong disconnect, a lot of judgment, and even more so, a vast divide. One of the beautiful things about the characters I write about is that they come from many different backgrounds and experiences, and I make great efforts to show how this relates to their current situations.

Interestingly enough, real life isn't that much different if we take the time to investigate.

Who are your favorite characters? 🤩 (Updated)

A few months ago, I took a survey with my readers. I asked them to pick their favorite character from my books. As it turns out, there are a few fan favorites. And now, the countdown.....

5. Paige Noël-Hernandez - The only female to make the top five, Paige is a character in my Hernandez series as the wife of Jorge Hernandez. People like Paige because she is strong and assertive yet has a gentle, almost zen-like side. She enjoys meditation, practicing yoga, and is an online self-help guru. Did I mention that she's also an assassin? 🔪

4. Jimmy Groome - A blast from the past! Jimmy Groome is the self-destructive, rebellious rock star from my second book. Readers often comment how they related to him since he was somewhat of a misfit. He struggled with his share of demons, learning many hard lessons along the way.

3. Chase Jacobs - Not surprisingly, the top three characters (and 4/5 on this list) are from my Hernandez series. Chase has been a part of this series from day one. He was the original protagonist for both We're All Animals and Always be a Wolf. People love his boy-next-door profile, his need to do the right thing, but mostly, he's honest and genuine. 

2. Diego Silva - This feisty character came along at the end of We're All Animals and has been along for the ride ever since. Diego is abrupt, fidgety, and carries a baseball bat in the trunk of his Lexus...you don't want to know why. 😏 This Colombian is the loyal sidekick of Jorge Hernandez and helps him with all his dirty work. 

1. Jorge Hernandez - Possibly the most notorious character I've ever written about, Jorge Hernandez came along at the end of Always be a Wolf and has been the protagonist for the rest of the Hernandez series. Arrogant, abrupt, obnoxious, and calculating at times, others would describe him as a leader that doesn't let anyone or anything stand in his way. A former king in the Mexican drug world, he now strives to have power over business, politics, and the media in Canada.

Why Jorge Hernandez is a fan favorite? 🤴🏽(Updated)

Jorge Hernandez has quickly become a fan favorite for many reasons. When asked, most readers comment on several things that stand out about this character despite his devious side, (although some people seem to like that too 🤭) he has some characteristics that make him quite appealing.

To begin with, Hernandez is a bold, powerful heavyweight in the criminal world. Remember that he's survived 20 years in the cartel, which is a massive accomplishment. If Mexican news and documentaries have taught us anything, it's that the cartel life is dangerous. However, all that aside, let's look at when this character joined the gang so you can have a brief introduction.

Fans of this series will recall that Jorge Hernandez came along in the latter part of Always be a Wolf. He popped in and out of the book but essentially took over the series as the protagonists in The Devil is Smooth Like Honey. He continues to lead the series. 

Fans enjoy this antihero, alpha dog character simply because he is strong, confident, and unapologetic. His loyalty lies with his close friends and family, which is something many people appreciate. He would do anything for the people he loves: literally, anything. He's very passionate about life and goes after what he wants with complete confidence that he will get it. It is probably because of this arrogant insistence that he is so successful.

Of course, he also has a surprisingly sensitive side when it comes to his family. His daughter will often tug at his heartstrings, as does his wife, which we don't expect from a gangster-type character. You know where you stand with Jorge Hernandez. He never hides how he feels. 

He is the king.

Why Contradictions are Cool! 😎 (Updated)

Contradictions are fun! Something is fascinating about a character with vast contradictions in their personality because it's completely unexpected and catches the reader (or viewer, if it's something on television) off guard. And isn't that what we want? To be surprised?

I tend to use contradictions and quirks a lot in my writing because I feel it adds a little something extra to the characters. Although to tell you the truth, I don't overthink it either because it comes along naturally. Each character tends to have unique personalities that encompass fascinating contradictions.

As an example, my character Diego Silva is very dapper and sophisticated. So it's surprising that his weapon of choice is a baseball bat. If you read my Hernandez series, you will see Diego bring out the baseball bat on more than one occasion. 

Another example would be Paige Noël-Hernandez, who is considered one of the best assassins in the world...who meditates. She also used to have a self-help site online. Contradictions like this are neat. It shows contrast in the characters. 

Contradictions make characters seem more realistic, fun, and interesting. And let's face it, we all have the contradictions that make us unique. What are yours?

Do your characters have quirks? 🤭 (Updated)

Quirks are odd behaviors or habits that people develop, and as it turns out, characters are no different. Most of the quirks that my characters demonstrate aren't planned but pop up in the story and stick.

What makes quirks fun is that they usually tell you something about the character. For example, many quirks that I use in my books seem to be associated with nervous or anxious behavior. I have one character that twitches and jerks a lot, especially when he's uneasy, whereas another character (who's bilingual) switches back to his native tongue when very upset.

What I love about quirks is that it makes a character more three-dimensional. This is especially true when the character regularly demonstrates the behavior. As I mentioned in the earlier examples, two of my characters tend to react in specific ways when presented with stress. This becomes consistent throughout the books to the point that you begin to expect it in the same circumstances.

Of course, not all quirks connect to emotions. A quirk could be someone not wanting the food on their plate to touch or refusing to drink out of a blue glass. One of my characters, for example, has a lime tree in his condo. He's obsessive about it and treats it almost like a child that needs constant care. That might also be considered a quirk. Then again...maybe that's just weird.

What are some of the quirks you've noticed with your favorite characters?