Should you put touchy subjects in your books? 😬(Updated)

These days I feel like any subject that is even the slightest bit contentious will get someone's back up, but it hasn't stopped me from bringing up some pretty controversial topics in my books. Why is that? Is it necessary to occasionally shake the controversy tree to see what falls out? 

Well, I certainly think so.

The beauty of books (both fiction and nonfiction) is that they present unique ideas that challenge readers. It allows us to view the world from a different perspective. It may not be one we agree with, but agreeing with the characters or the writer isn't the point. The point is to open your mind and understand one another while hopefully being challenged and entertained. 

I started to write as a teenager. I specifically remember that my goal was to make people understand and have compassion for one another. It was a more innocent time, so that was pretty reasonable. I now feel like people are becoming less open, less empathetic, and less interested in views that don't align with their own. It's a sad state when you consider the many issues in the world today. If no one bends and no one listens,  then we are essentially battling each other all the time. 

I continue to bring up contentious subjects in my writing because I think that's one of the reasons why I do what I do. I think my readers are intelligent and want something to think about long after they've finished the last chapter because a good book lingers. 

Why my characters color outside of the lines 🎨 (Updated)

We live in a world where many prefer we all obediently follow the rules without causing a fuss, but when it comes to my unruly characters, the likelihood of this happening is slim at best. I would even say that coloring outside the lines is their goal rather than an exception.

In the writing world, publishers prefer that artists produce a 'sure thing'. In other words, something that's guaranteed to sell while taking minimum risks. Risks, of course, would be coloring outside the lines and producing work that may not necessarily connect with or be approved of by the majority of its potential audience. That's why we have so many lukewarm, barely funny 'comedy' shows on television now. That's why so many books vaguely remind you of something you already read. That's why so many people complain that modern music all 'sounds the same. It's safe. 

Then you get writers like me who don't conform to the rules. I've described my characters as counterculture, therefore not going with the usual social 'norm'.  As my character, Diego Silva always says, "In a world full of sheep, always be a wolf". This is the kind of idealogy that makes my characters stand out and hopefully makes them as fun and interesting to read about as they are to write.

Book themes that matter 😌(Updated)

Do book themes matter? Maybe not if you're a reader. But to a writer, it helps me focus on what the central idea is for the story. It's nice to have plots, subplots, and cool characters, but you need something more to hold it together.

Here's a quick rundown of the themes for a few of my books.

She Was His Angel

Long before I started to write this book, I planned to focus on powerful women as a central theme. It was important to me that readers saw how Paige was as dangerous as any male character. This was something that I always knew but feared that I wasn't effectively demonstrating in my previous books.

Its also important female readers are encouraged to show their power. They should never make themselves small to make others comfortable.

The beauty of this character is that everyone around her naturally accepts and respects who she is, never trying to demean or belittle her.

The Devil and His Legacy

I guess it's clear that the theme for this book was legacy. In the 7th book in my series, Jorge Hernandez spends a great deal of time considering the legacy he will leave. This becomes a concern after a close colleague is murdered, leaving Jorge to wonder what he will one day leave behind.

The Devil May Lie

The theme for this specific book was power. Remember, Jorge Hernandez doesn't focus on money, like many villainous characters we see in books. For him, it always was and always is about power. He sees this as one of the most important things and is very central in his life.

And the Devil Will Laugh

In this book, the theme is passion. Jorge Hernandez is a man who thrives on passion. It is the very instinctual passion that motivates him each day.

Not every author will concern themselves with themes while writing their books, but I find it helps me stay focused. It reminds me of what message I want to send to my readers about the characters and, in some cases, the world as I see it. 

How do you keep track of everything?? 🤔 (updated from original)

After watching one of my recent blogs about how I have 10 different lives, (characters, I mean, just so you don't think I have a split personality....at least, nothing diagnosed 😜) a friend asked me how I kept track of everything. Not only do I have a lot of characters, but I also have a lot of books in my current series. I thought I had addressed this in a previous blog, but then, I wasn't sure if I covered the bases, so I thought I would dive into this question.

To begin with, I have a lot of stray notes that get stuck on a clipboard. These are comments in a specific character's voice, ideas, scenes, various things that I want to bring to light at some point in my book. Eventually, I take all these little notes and add them to a long list of things that are there as reminders of events and plot points coming up in the future. I don't necessarily use everything, and sometimes, these thoughts carry on to another book in the series. Sometimes they aren't used at all.

My most valuable writing possession (outside of my laptop) is a black book where I keep my writing notes. In the first section, I have a list of characters, notes about each one (age, family, etc.), and in which books you can find them.

The second half of this notebook is the notes for each chapter of every book in the series. I'm afraid the scribblings aren't necessarily as detailed as they should be but, they give me enough information to use as a reference point. That allows me to look up whatever book and chapter I need to review some material. Sometimes, for example, I have an old character returning to the series and have to remind myself what role they played, how they spoke, and their connection to the protagonist.

My little black book isn't perfect but, it gets the job done. It's the personal journal of my characters and their story.

Writing blocks and roadblocks 🚧(Updated)

Writer's blocks are a lot like roadblocks in that you find yourself suddenly stuck in the middle of nowhere, and you can't get out. The problem is in both cases, the more you focus on the fact that you're 'stuck', the more frustrated you get, which in turn makes the whole ordeal even more frustrating. And if you're a writer, that's when you stare at a blank page and contemplate banging your head against the wall until an idea pops out.

Of course, you should never bang your head against the wall. You got precious stuff going on in there, and you might damage it. There are other, more productive ways to get past the block if you want to make any progress.

The first is to calm the fuck down. The more angry and anxious you are (this applies to most problems) the worse everything will seem. As humans, we tend to get wrapped up in our minds, and suddenly we're falling down the rabbit hole of craziness. You can't do that. The more you think about how you're not accomplishing anything, the more you'll not accomplish anything.

The second thing you need to do is get back to your center. What is your center? It's the place where you feel balanced. Some people get there by exercising while others meditate. Some people might do it by staring out the window at nature (if you happen to have any nature out your window) while others might do it by playing a video game or reading a book. The key is to distract your mind from the craziness. Maybe you're overtired and need to take a nap. Everyone is different. 

I need to have headphones on when I write. I listen to music that tends to be calming (nothing with lyrics) and try not to think about anything else going on that day. It's better if I don't have time restraints too, so I'm not looking at the clock trying to rush like a maniac. The key is to be relaxed and really to listen to your inner voice. The creative world is very mysterious, which is why artists tend to be so infatuated with the entire process. We don't know where those words, characters, or creations come from; they just arrive. Your job is to open the door so that they can get in. 

What resources do you use to research your books? 🧐 (Updated)

People often ask me what kind of resources I use to research my books. As it turns out, there's a lot, and they might even include you.

For the most part, I don't research so much as I pick things up along the way. There are specific topics that I'm interested in and tend to dive into headfirst. It could be something I watched in a documentary, read in a book, perhaps caught on the news,  saw in a blog, or heard in a podcast. There are many ways to find information, allowing an author to collect many viewpoints and sides of the same topic.

Why is that important?

You have to remember that you're writing about different characters from often diverse backgrounds and experiences. Otherwise, you'd simply be writing books about yourself, and who wants to do that? For this reason, it's vital to learn about how other people live, what their day-to-day experiences look like, and how they see the world.

The beauty of learning about topics that you feel drawn to is that you take in the information much faster than if it's something you're less interested in.  When I'm drawn to a topic, I take it as a sign that it might just belong in one of my books. Also, if you're passionate about a subject, you will bring that same passion to your writing, and readers can feel it in the pages.

Of course, there are some less obvious places where you can do research. Overheard conversations, local gossip, things that capture your attention on the way to work, Facebook arguments,  or even snappy comments your friends make to you in conversation: there are tons of places where you can get great ideas. When you're a writer, you're always in research mode, even if you don't know it. 😉

Be your own media 📺🎙📻 (updated)

I wrote my first book in 2010, and at the time, the idea of getting media attention seemed essential. Having said that, when I finally did get an interview, I was a bumbling idiot when attempting to answer questions. I wanted to sound confident, but I wasn't. I wanted to say how great my book was, but I didn't want to sound arrogant. I quickly discovered that while I had a knack for throwing words together in writing, I wasn't so great at that whole talking thing.

What helped to improve my interviewing skills? My confidence grew after I started to record videos for my YouTube channel. When you record yourself speaking, you quickly catch some flaws upon playback, and this allows you to improve your weak areas while building confidence when speaking with a potential audience. I say potential audience because even though you record a video, it doesn't mean you're obligated to release it. The first few might be cringe-worthy, but that's ok because this is how you learn. How do you think all these well-spoken people in the media first learn how to talk on camera? No one is perfect the first time.

 Of course, the second problem is to get media attention at all. It's pretty easy when you're a best-seller with a big name and massive sales, but when you're new, unfamous, unrich, and untrendy, it's a whole other story. So, what do you do?

I'd recommend you take a stab at writing a press release. If you're not sure how to do so, find an example online and model yours off of it. Then send it to everyone; local, big and small newspapers, television and radio stations, free newspapers, and anyone else that might be interested. The key is to get as many sets of eyes on it as possible. You don't know who might be interested, and you never know who's paying attention.

Do press releases work? With some books I've published, they've resulted in radio and newspaper interviews and other times, one lone paper will contact me. It varies from book to book, the time of year, and other factors that sometimes you often can't predict. Newspapers are often downsizing, or have too many other things taking place at the time, competing for an editor's attention. Don't take it personally.

Whether or not the media contacts you, you have to take the bull by the horns. Write blogs, record videos for YouTube, Facebook, Instagram, or whatever social media you use. Find creative ways to capture people's attention. When you think about it, the media is essentially the loudspeaker that lets the world know what's going on, but we live in a time where we have outlets to do this for ourselves. Social media is powerful, but at the end of the day, so are you.

Why it's important for art to hold a mirror up to society 🎭(Updated)

As long as there's been art, there's been artists who hold a mirror up to society. It shows us who we are, who we potentially could be, and gives us ideas about things we perhaps never considered.

This is important because there's a lot of people who won't turn on the news, won't pick up a newspaper, or read about current events online, but they will watch a movie, read a book or listen to music. When artists point out certain aspects of society in their work, it allows the reader or viewer a first-hand perspective into their world. It's perhaps the closest they will ever come to 'walking in their shoes' and seeing what it's like to have these experiences. 

In many of my books, I have situations, points of view, and even passing comments that bring up what I'm seeing in the world around me. I leave it open for the reader to consider. I'm not attempting to convince or change anyone's mind. My books are very much about counterculture and often take things to extremes, but I think that in today's world, this is sometimes what you have to do to stand out and make a point. 

In the end, I believe that it's the art that shakes things up that has a lasting effect. It's the movies, books, and music that captured a segment of our society that will always stand out in my mind because they made points that mattered.

Writing about characters that are vastly different from you 🤫(Updated)

Different ethnicities, the opposite sex, and even vampires; is it difficult to write about characters when they are nothing like you?

The truth is that we're usually writing about characters that aren't necessarily like ourselves. Even if you write about characters of the same sex, age, or even from the same part of the world as you, they still are not you. If the character is the same as you in every way, then your book is autobiographical, not fiction. 

In my first book, Fire, I wrote about a young, blonde, white woman named Tarah. Many people seemed to draw a parallel between her and me because we had a similar physical description. However, that's where the similarities ended. Her story was vastly different from mine, meaning I had to dive deep into my imagination to connect with this protagonist. She was a musician turned rock star and had experiences I knew nothing about. Her life was vastly different from my own at that age. 

I then wrote A Spark before the Fire, which followed a teenage male character.  I feared that this was way out of my comfort zone. After all, how could I write from the voice of a male teenager? Where would I even start? When I began to write, I was surprised when the inner dialogue of a young male flowed naturally. It was very instinctual, and that's been my process as I continue to write about characters vastly different from me. 

I've since written about vampires, narcos, assassins, children, and people of various ethnicities, ages, and sexual preferences. The key is to listen for the character's voice, and it will tell you everything you have to know. 

I'd recommend anyone struggling with this to find a quiet place and time to do their writing and focus on their inner voice. Stay calm, stay centered, and start writing. If your instinct is to write about a specific character, chances are they're ready to come out and play.

The super crazy last chapter 😜(Updated)

Don't let the last chapter fall flat; make it a wild ride till the end.

The problem that I noticed (while reading fiction) is that it often has a predictable pattern. The story usually builds to a climax, eventually resolving, only to fade away in the final chapter. I find the last chapter in a lot of books is simply tying up loose ends, and for that reason, I often skim through then read the final paragraph. It would be the same as watching a season of your favorite television show and having no drama or action in the last episode but just the characters sitting around having a chat and hugging a lot.

Something that I've learned along the way is that you need action, suspense, and surprises even as the book winds down. And yes, that includes the last chapter. Contrary to whatever your high school creative writing teacher taught you, finishing a book shouldn't simply be about tying a pretty bow on it.

In my Hernandez series, my goal is to keep things crazy till the end. I've finished books with shootouts and suspense, but probably most importantly, I've left a lot of questions hanging in the wind. There's always an implication that something more is around the corner. I want readers to finish my books and wonder about the characters. I want to set their imaginations on fire. And to me, that's important of all.

Choosing the right words 🤓(Updated)

Words create an impression with the reader, whether it is the narrative or the specific wording that a character uses. It's always important to consider your characters, environment, and mood involved when choosing your words.

I'm very aware of the words I choose when setting a scene, especially with dialogue in my Hernandez series. Since the books are about bloodthirsty criminals, it only makes sense that the words surrounding them represent that mood. Powerful words are essential, right from the first paragraph, and the protagonist must set the tone for the reader. We need to get a feel for the personality we're about to take a journey with, preparing us for the adventure we're about to embark on.

It's not uncommon for me to go back and change the wording simply because I feel there's a better way to communicate to the reader. Having said that, I don't think writers need to overthink words and become too analytical. Perfection isn't a requirement.

It's also important to consider what is appropriate for your reader. Who's your audience? How old are they? What feelings do you hope to instill in readers? A suspense book would read differently than a romance novel., for example. 

Also, what is the character's background? Educational level? Where do they live? A young Mexican cartel member with a 10th-grade education speaks differently than a middle-aged lawyer living in Toronto. Their experiences, lifestyle, associates, vocabulary are vastly different. 

If you're new to writing, don't let this intimidate you. You can always go back and change the words later. Regarding characters, the more you get to know them, the easier it is to automatically know how they talk and what they will say (think of people you know well and how you come to be familiar with their dialogue patterns)

Remember, when writing a book, essay, or article, words are all you have to work with, so make them count.

Why do you always write about criminals? 🔪(updated)

One of my most asked questions is why I write about criminals. For those not familiar with my books, this inquiry springs from the fact that most of my books are based on the criminal POV rather than the more socially acceptable, commonly used perspective of the detective, lawyer, or, in other words, the 'good guy'. Essentially, what I'm saying is that I prefer to write about the 'bad guy' or more the anti-hero type characters.

It started innocently enough. This was the series that was never meant to be a series, starting with a book called We're All Animals. In it, I explored a character named Chase Jacobs and his coming of age problems that led him down a dark path that linked up with the people he now refers to as his associates. Of course, it had to be introduced slowly, carefully, and in such a way that showed how people could find themselves in this world even if it was never their intention.

I love writing from an alternate POV rather than the more common ones used in books. It's interesting to explore a character that is normally viewed from a third-person perspective, instead, showing all the dimensions and unravel their many layers. It's very easy to just throw everybody into a simplified category but it takes a little more effort to consider where that person came from, what their experiences have been, and what drives them. People are vastly more complicated than some writers would have you believe.

There's also something invigorating about sinister characters. It can be quite addictive and fascinating to write about them. It allows my imagination to go to all kinds of dark places that you simply can't explore with primarily law-abiding and 'good' characters. And if you do, it becomes the central theme of the book rather than a component. For example, if a 'good' character does something terrible, it becomes the plot, with the protagonist attempting to understand and justify their behavior. If a 'bad' guy does the same thing, it's not such a shock and just becomes another event in the book.

When you're a writer, shouldn't you be searching for different scenarios, alternate voices, and most importantly, intriguing storylines that aren't following the same, tired format?

Plant the seed 🌱(Updated)

It's vital that you 'plant the seed' early in a book to capture a reader. But what does that mean?

Planting a seed means creating situations, obstacles, and to a certain degree, some clues about what to expect in the upcoming chapters of the book. It could be in the form of foreshadowing or simply letting the reader know who your protagonist is, what they stand for, and what kind of craziness the reader can expect.

Here's a couple of quick examples of 'planting the seed' I've done in previous books:

We're All Animals

We're All Animals is the premier book in my current series where we meet Chase Jacobs. The young protagonist is very much the boy-next-door and in the early chapters. We learn that he recently was dumped by his high school sweetheart and reluctantly goes to a party to soothe his pain. While there, he is given a drug to 'mellow' him out and hooks up with a woman he isn't particularly attracted to, only to later learn she's pregnant. Forced by his mother to marry this mere stranger, Chase sees all his hopes and dreams go down the drain. All this while he lusts after his new BFF, who tells him she's a lesbian even though he's getting some strong signals suggesting the opposite. Add in his complicated relationship with his family, growing resentment about having no control in his own life, and you got one complicated seed about to burst through the ground. 

The Devil May Lie

Jorge Hernandez comes out with both barrels blazing in the 6th book of the series. Here, we learn that Jorge discovered an ultra-conservative movement within Canada that could affect his personal and professional life. He not only sees proof when his daughter has a confrontation with another child at school but learns it may be creeping into the general beliefs of Canadians, which could, in turn, affect his (legalized) pot business. What if laws are changed to make it illegal again? After working to get where he's at, Jorge has no intention of backing down. This seed is so powerful. The earth is shaking.

How important is it to plant a seed? Unless the reader has something to grab on, they have no reason to continue reading. Plant the seeds to make readers intrigued enough to keep reading. 

Can you learn from authors you don't like? 🧐(updated)

We often hear about learning from people we admire, but what about ones we don't like? Can we learn from someone if we're not a fan? Is there a lesson in bad books, boring TV shows, and disappointing movies?

When I was younger, one of the authors I used to read was a well-known best-seller. I now see that her style tended to be what I now refer to as 'formula writing', which essentially means that her books tended to follow the same pattern. The protagonist was often a beautiful, perfect woman who had money, usually a super attractive spouse, perfect children, and, well, you get the idea. Needless to say, it was difficult to feel sorry for that character when something difficult came around the corner.

I grew tired of reading these predictable books but I was left with one powerful lesson: make your characters relatable. Show their insecurities, their weaknesses, air their dirty laundry, and embarrassing moments. Make the reader see that they are far from perfect and demonstrate their struggles. One of the reasons why I didn't continue reading the specific author mentioned ☝🏻is because I didn't care about her characters because they were unrelatable and somewhat vacant.

In essence, this author taught me what not to do as a writer. Since that time, I've read other books that were predictable, couldn't hold my interest, had terrible dialogue or characters reacting in such a way that didn't make sense for their situations and I made a mental note not to do these things. I saw it as a lesson.

Don't get me wrong. I've made mistakes too and I'm sure there's an author somewhere who's read one of my books and perhaps saw things that they wouldn't do in their own writing. And that's fine. I'm always trying to learn more, to do better and I believe that's an important part of my evolution as a writer. That's how I learn and create my own, unique style. Being open to learning is an important part of being an artist.

Although it's important (and terrific!) to have role models that we admire and want to learn from, don't forget to also pay attention to those who actually inspire the opposite feelings. Sometimes we gather some of the most valuable lessons from the most unexpected source.

Does everyone have a creative side? 🎨(Updated)

Let's face it. A teenager talking about dreams of becoming a writer, a rock star, or a painter, may not be taken as seriously as someone who talks about college, university, or program that almost assures a job at the end of the line. Most creative professions are practically in the same category as psychics, life coaches, YouTube channels, and anything spiritual as being a little woo-woo. You know, it's interesting, but can you make money with it?

Interestingly, if you're good at any of those things, you probably can make a lot of money once you have a following. People are intrigued by psychics, artists, and spiritual teachers however, most people don't take them seriously, and one of the reasons is that many people pursuing these areas don't either. We all know people who talked of writing a book, joining a band, or studying herbs, only to flake as soon as they realized that it takes much more time and effort than they had assumed. After all, I don't get up at 6 a.m. for the hell of it.

Believe it or not, creative pursuits require a lot of blood, sweat, and tears because overnight success is rare. There's no easy formula. For example, if you want to be a nurse, teachers can help put you on the right path. If you want to be a rock star...not so much.

For that reason,  people are often discouraged from chasing their creative dreams. It just seems like a long shot and unstable. It causes people to bury their creative side, believing that it's silly and useless. However, be reassured it's there. If you were ever a child, 👶 (and I'm guessing, you might have been ☺️) you are creative. When you were five, chances are you weren't talking about the stock market or politics but most likely were ass deep in paints, Lego or toys. There was no structure. Coloring inside the lines? What? That was crazy talk!

Coloring outside the lines as an adult is a whole other story but does it have to be? Maybe it's time to explore that creative side because it's there. I promise. Underneath criticisms you once heard for not being serious enough, not following the rules, and of course, not sitting quietly, your creative side is waiting to come back out.

Should characters ever be based on people you know? 🤔(Updated)

I recently stumbled across a video recommending that writers base characters on people they know. I cringed.

I never pretend to be a writing expert. I do feel that after a few books, I've learned a couple of things along the way. Basing characters on people I know never seemed like a good idea, and therefore, I never did it. To begin with, I'm assuming there would always be a paranoia of someone 'discovering' that a character was strangely like them, not to mention hurt feelings, potential arguments, and maybe even a few Facebook rants...as much as we all love those.

Most importantly, I feel that characters create themselves. You might have a few ideas of who they are or what they're about, but in the end, characters tend to form as you write the story. It's kind of like having a child and assuming the personality you think they'll have; chances are, they'll soon show you that you never had a say in the first place.

Characters are complex. As a writer, you'll probably have a deeper understanding of your characters than most people in your life. You can see inside their heart and understand what makes them tick. This makes sense because you're on a long journey together.

The interesting thing about characters is that they often are a piece of you. Just like every songwriter inserts a piece of who they are in their songs, every author tends to do the same with their characters. It's not something you think about, but rather it just happens. Maybe one of your characters shares your fears in life or your fixation on a specific pet peeve. The characters are unique, but they're also you.

And really, isn't that what makes the writing process amazing?

Some of your questions answered 👍(Updated)

I'm asked questions regarding my writing and thought I would answer a few of the most common ones. 🤩

When did you first realize you wanted to be a writer?

I remember writing as a child, and in fact, I wrote my first full-length manuscript when I was a teenager. Due to a lack of confidence and guidance, I didn't pursue my dream of writing until around 2007-2008. I published my first book in 2010.

When did you write your first book?

My first book was Fire, published in 2010. 

What inspired you to start writing?

My goals have been to make people think, be empathetic, and see various perspectives. I enjoy provoking people because they are more likely to get involved in the story if they feel an emotional connection. 

How long does it take you to write a book?

I write a chapter a day and 50 chapters in my books, so in essence, 50 days to complete the first draft. Editing and figuring out details such as a synopsis and cover image also take some time, but it can vary. For the last few years, I've published two books a year. 

What is your genre, and who is your audience?

I hate being stuck in a genre because I think my writing falls into many categories: suspense, thriller, murder, crime, romance, and more. I even have a couple of books that fall into the fantasy category. My audience varies. 

Where do you get your information or ideas for your books?

I gain information from reading or watching documentaries and interviews about topics that interest me. Many of these topics end up becoming a part of my books. For example, I often read about cartels, violence, and the psychology of a criminal, which ends up making it in my books. 

How long does it take to research for your books?

I don't pay attention but research when needed. 

Do you write using a pen or computer?

Computer. However, I write notes about characters and each chapter in a journal to keep organized and for reference.

What part of writing is most difficult?

Editing is the most difficult because it's very tedious and requires extreme focus. Writing the back cover synopsis is also a challenge. How do you sum up an entire book in a few words without giving too much away? 

How many books have you written? Which is your favorite?

Sixteen so far and it's too difficult to choose! 

What would you say is your interesting writing quirk? ( if you have any?)

I only write chapters early (like 6 AM) in the morning, and I do so with no interruptions unless necessary. I don't get up to eat, take out the garbage, or do anything else when I'm writing. I try to stay focused and not divert my attention because it's a struggle to get back on track if I do.

What is your work schedule like when you're writing?

It tends to be the other way around. I usually write around my work schedule. On mornings that I'm not working, I get up and write. On the mornings I'm working, depending on how much time I have, I might do some light editing, work on social media, upload or record a video for YouTube, or any other task that requires my attention. 

What was one of the most surprising things you learned in creating your books?

I recently read a quote that said that writers aren't playing God when writing a book but are merely secretaries. This is very accurate. You cannot force a character to do what they don't want to do unless you enjoy getting writer's block. 

What is your favorite type of books to read?

I mostly read non-fiction on topics that interest me, but I've been known to sink into a good fiction book from time to time. 

Were there any authors of books that had a particular influence on you or your writing?

George Orwell. He was a genius. Orwell could observe and analyze human nature and create works of fiction that reflected how he viewed the world, in a way that served as much as a warning as an entertaining tale.


How do the books get published?

This could be a rather long answer, but essentially, you can self-publish, seek out a smaller publisher who is interested in your specific genre or seek out an agent. Large houses generally only deal with agented writers. Always do your research when doing any of the above. There are a lot of scumbags out there. I recommend Writer's Beware. 

Do you design your book covers?

My publisher designs the cover, but I pick out the image I would like them to work with and perhaps make suggestions such as darkening the image, colors I prefer, etc. 

How do you market your books? 

I mainly use social media, but I also use my website, send press releases when new books come out and give out bookmarks with all my covers. I'm always trying to think of new, creative ways, but social media is my first stop.

Where can we get your books, other than here?

Everywhere online!! Check out my site for more details. 

All my books have hidden themes 🤫(Updated)

Did you know that my books have a theme? This is the message that takes the driver's seat and creates a direction for the entire book or, in some cases, the series. But why are themes important?

In a nutshell, themes are the 'point' of everything you do. For example, when you pick jobs, there's probably an underlying reason that goes much deeper than a paycheque. When you choose a mate or friendships, chances are there's a theme there too. With my writing, there are underlying themes that create a central idea behind by books. Themes are essential because they are the lifeblood of the story. I think the best way to demonstrate this is to give some examples.

In my first two books, Fire and A Spark before the Fire, my theme was how our culture often doesn't see entertainers as real people but rather machines whose every move is meant to be entertainment, their lives on constant display. This happened when I watched a celebrity have a very public meltdown, and people were essentially laughing at her rather than having any concern for her mental state. It frustrated me that we have tabloids and silly shows that focus on everything the stars are doing, and actually, this has only grown worse since writing these two books over ten years ago. Of course, this wouldn't exist if there wasn't a demand.

My third and fourth books had a vampire theme. Not surprisingly, the vampires in my books represent the 'bloodsuckers' or 'vampires' in our lives. Around the time I wrote these books, I saw an increasing number of people who fell in this category, not even in my own life but the world in general. We view it in the news regularly as many of these questionable characters float to the surface, in clear view. The Rock Star of Vampires is my first of two books that dive into this area, and in it, we discover that the protagonist, although she's a vampire, is probably less of a vulture than other characters in her life. In Her Name is Mariah, we learn about a young, troubled woman who preys on others because it's the only way she knows to survive, therefore, showing both sides of the same situation.

My current (Hernandez) series eased the reader into the whole world of organized crime and an underground world that people may assume is rare if they even believe it exists at all. The central theme is corruption, crime, collusion, and the belief that sometimes it's hard to distinguish the 'good' people from the 'bad'. Although my books follow a group of criminals, there is a point where readers see that the lines are often blurred. My goal was to make readers think and perhaps ask some questions, if only to themselves. Who runs the world? Politicians, corporations, religious leaders....or is it you? Who controls what we see and what we know? Is it manipulated? These are the questions that I've explored as the series unfolded a few years ago, and I continue to ask myself.

A theme gives us a larger focus, which is essential to both the writer and the reader.