Writing blocks and roadblocks 🚧(Updated)

Writer's blocks are a lot like roadblocks in that you find yourself suddenly stuck in the middle of nowhere, and you can't get out. The problem is in both cases, the more you focus on the fact that you're 'stuck', the more frustrated you get, which in turn makes the whole ordeal even more frustrating. And if you're a writer, that's when you stare at a blank page and contemplate banging your head against the wall until an idea pops out.

Of course, you should never bang your head against the wall. You got precious stuff going on in there, and you might damage it. There are other, more productive ways to get past the block if you want to make any progress.

The first is to calm the fuck down. The more angry and anxious you are (this applies to most problems) the worse everything will seem. As humans, we tend to get wrapped up in our minds, and suddenly we're falling down the rabbit hole of craziness. You can't do that. The more you think about how you're not accomplishing anything, the more you'll not accomplish anything.

The second thing you need to do is get back to your center. What is your center? It's the place where you feel balanced. Some people get there by exercising while others meditate. Some people might do it by staring out the window at nature (if you happen to have any nature out your window) while others might do it by playing a video game or reading a book. The key is to distract your mind from the craziness. Maybe you're overtired and need to take a nap. Everyone is different. 

I need to have headphones on when I write. I listen to music that tends to be calming (nothing with lyrics) and try not to think about anything else going on that day. It's better if I don't have time restraints too, so I'm not looking at the clock trying to rush like a maniac. The key is to be relaxed and really to listen to your inner voice. The creative world is very mysterious, which is why artists tend to be so infatuated with the entire process. We don't know where those words, characters, or creations come from; they just arrive. Your job is to open the door so that they can get in. 

Why I will never look at some songs the same way again 😱(Updated)

The title is so dramatic, and yet, the truth is that most of us have a powerful connection with music. This is common with authors since many have a specific song that they listen to when envisioning a scene. It also might be connected to certain characters, especially the protagonist.

For me, there's a list of songs that I automatically associate with pivotal scenes, powerful characters, and of course, a whole lot of violence. I'm going to share a couple of examples with you.

One song that stands out to me is Masters of Puppets by Metallica. If you haven't heard of it, the best description for it is powerful. I automatically associate the song with my series protagonist, Jorge Hernandez. More specifically, in the book The Devil May Lie. This character is bold, daring, and confident in a way that almost borderlines on sociopathic.  

Ahh...but I didn't say he was crazy. If anything, he tends to have tunnel vision and doesn't notice or listen to the naysayers on either side. If he does, Hernandez is dismissive. Unlike most people, this is a character that sees the big picture. He has distinct ideas about how the world works and doesn't let insecurities, fears, or inadequacies slow him down. Masters of Puppets is a song that embodies this character in a way that will never allow me to see it the same way again.

Another song that embodies a character would be Crazy Train by Ozzy Osbourne. There's a certain unhinged, erratic sense to it that perfectly captures Diego Silva, a secondary character in my series. I started Always be a Wolf with Diego flying down the road in a new sports car with a terrified Chase in the passenger seat. Diego finds the entire experience thrilling - from the fast car to scaring the crap out of his friend - which gives you a strong sense of who this character is and what drives him. 

There's also a power behind this song which also captures Diego. It doesn't matter that he's a secondary character because he's no shrinking violet. There's a strong sense that if Jorge Hernandez were to step back or leave the series, Diego would take over. Meanwhile, it's clear that he's learning from the master and looks up to him. There's a reason why Hernandez refers to Silva as his 'hermano' (brother) that shows the power of this relationship.

Music will always be an inspiration to me. Characters, scenes, and strong emotions are born from it, and the result is always a surprise.

Why do (my) criminals always win? 😏(updated)

Generally speaking, most of the books you'll read that involve criminals will have the same conclusion: the 'bad guy' gets caught and we all live happily ever after in knowing that good prevails over evil. We see it in movies, on television, and in real life...

Wait. Is that true? Do we see it in real life?

In actuality, we don't always see the 'bad guys' getting captured in the real world. Other times, we see them get caught only to either get away with or barely get punished for their crimes. So why do so many books, movies, and television series center on criminals getting caught and punished?

The answer is that we seek the comfort that the story tells. Many people feel better when things end in a way that they think they should. So, in other words, not only does the criminal gets caught, but the girl gets the guy, and the sick person recovers, and everyone lives happily ever after.

It can be a little insulting to the average audience's intelligence to give every story a fairy tale ending. If you don't believe me, ask a few people what they think of some of the cute and cuddly Christmas movies we're walloped with every December and watch at least half of them roll their eyes. People want to be challenged, surprised, and sometimes, to nod their heads and say, 'I wonder if that does happen?'

In my series, the criminals get away with their crimes. They take many preventative measures, own the right politicians, and manipulate the media. But will they eventually get caught?

What resources do you use to research your books? 🧐 (Updated)

People often ask me what kind of resources I use to research my books. As it turns out, there's a lot, and they might even include you.

For the most part, I don't research so much as I pick things up along the way. There are specific topics that I'm interested in and tend to dive into headfirst. It could be something I watched in a documentary, read in a book, perhaps caught on the news,  saw in a blog, or heard in a podcast. There are many ways to find information, allowing an author to collect many viewpoints and sides of the same topic.

Why is that important?

You have to remember that you're writing about different characters from often diverse backgrounds and experiences. Otherwise, you'd simply be writing books about yourself, and who wants to do that? For this reason, it's vital to learn about how other people live, what their day-to-day experiences look like, and how they see the world.

The beauty of learning about topics that you feel drawn to is that you take in the information much faster than if it's something you're less interested in.  When I'm drawn to a topic, I take it as a sign that it might just belong in one of my books. Also, if you're passionate about a subject, you will bring that same passion to your writing, and readers can feel it in the pages.

Of course, there are some less obvious places where you can do research. Overheard conversations, local gossip, things that capture your attention on the way to work, Facebook arguments,  or even snappy comments your friends make to you in conversation: there are tons of places where you can get great ideas. When you're a writer, you're always in research mode, even if you don't know it. 😉

Bookmark giveaway! 🤩

While supplies last, I'm giving away bookmarks! 

Making and giving out bookmarks is something I started a few years ago because, quite frankly, I thought it was fun. It seemed only fitting to give out something that demonstrated my hard work, like a business card that carries a punch. Whether or not it created book sales wasn't something I thought about, nor did I want people to feel obligated to purchase my books. Although I must admit when people get something free, they tend to be suspicious. 🤭

If you would like some of these bookmarks, I will send you a few in the mail (while quantities last!). I will need your mailing address (if you're not comfortable giving out your home address, you can always give me your work address) and your name, of course. There are a few ways to contact me:

My website email or private message me on either Twitter or Facebook. Please don't post your personal information on my wall or in the comment section of this blog for your protection. Please put 'Bookmark giveaway' in the subject line.

As I said, quantities are limited, and depending on where you are in the world, it may take some time for the bookmarks to get to you. For more information on my books, check out my website mimaonfire.com and thanks for your support!

When characters are out of their element 😬 (updated)

When you consider that most of my characters are blatantly counterculture by nature, it's not hard to see why a relatively average experience might cause them to feel out of their element.

When you know that the protagonist for my current series spent most of his life breaking down massive walls, it's always interesting to see him dealing with his teenage daughter's anguish over being bullied or trying to comfort a crying baby. It's not the big problems that unsettle Jorge Hernandez, it's the average 'normal' situations that put him out of his element, especially those that require a certain amount of sensitivity. If you're a man that enters a room with both barrels blazing, how do you deal with the principal of his daughter's school? If he's used to threatening or killing his enemies, how does he deal with a pesky neighbor? 

The irony is, of course, that most of us would have the opposite problem. Although the situations I mentioned in the last paragraph might cause most of us to cringe, we would much rather deal with them than someone trying to kill or threaten us. For the characters in my books, the latter is more their comfort zone...you know, for lack of better words. 🤭

Why do characters need to get out of their element? Actually for the same reason why we have to get out of our element because it's necessary for growth. You don't want to be someone who's forever the pesky teenager they were at 15, nor do you want to read about a character who has the same MO book after book. While it might be nice to see your character be a womanizing, gun-slinging jerk in book or season one, you're going to get sick of it by season/book 4-5 unless you start seeing him questioning his beliefs and methods. 

When we met Jorge Hernandez at the end of (book 2 in the series) Always be a Wolf, he wouldn't win an award for sensitivity. While some may argue that this hasn't changed much, we do start to see him mellowing out as the series goes on, growing tired of his former lifestyle (to a point) while increasing his level of respect for women, something he didn't have much of early on. Meanwhile, some of the other key characters have also grown but not always in the most pleasant ways. 

Putting a character out of their element is a great way to shake things up, so you can see where everything falls.

Be your own media 📺🎙📻 (updated)

I wrote my first book in 2010, and at the time, the idea of getting media attention seemed essential. Having said that, when I finally did get an interview, I was a bumbling idiot when attempting to answer questions. I wanted to sound confident, but I wasn't. I wanted to say how great my book was, but I didn't want to sound arrogant. I quickly discovered that while I had a knack for throwing words together in writing, I wasn't so great at that whole talking thing.

What helped to improve my interviewing skills? My confidence grew after I started to record videos for my YouTube channel. When you record yourself speaking, you quickly catch some flaws upon playback, and this allows you to improve your weak areas while building confidence when speaking with a potential audience. I say potential audience because even though you record a video, it doesn't mean you're obligated to release it. The first few might be cringe-worthy, but that's ok because this is how you learn. How do you think all these well-spoken people in the media first learn how to talk on camera? No one is perfect the first time.

 Of course, the second problem is to get media attention at all. It's pretty easy when you're a best-seller with a big name and massive sales, but when you're new, unfamous, unrich, and untrendy, it's a whole other story. So, what do you do?

I'd recommend you take a stab at writing a press release. If you're not sure how to do so, find an example online and model yours off of it. Then send it to everyone; local, big and small newspapers, television and radio stations, free newspapers, and anyone else that might be interested. The key is to get as many sets of eyes on it as possible. You don't know who might be interested, and you never know who's paying attention.

Do press releases work? With some books I've published, they've resulted in radio and newspaper interviews and other times, one lone paper will contact me. It varies from book to book, the time of year, and other factors that sometimes you often can't predict. Newspapers are often downsizing, or have too many other things taking place at the time, competing for an editor's attention. Don't take it personally.

Whether or not the media contacts you, you have to take the bull by the horns. Write blogs, record videos for YouTube, Facebook, Instagram, or whatever social media you use. Find creative ways to capture people's attention. When you think about it, the media is essentially the loudspeaker that lets the world know what's going on, but we live in a time where we have outlets to do this for ourselves. Social media is powerful, but at the end of the day, so are you.