The official blog is associated with www.mimaonfire.com. Author of 18 books including the Hernandez series 🔪
Loyalty Above All
There are no exceptions.
☠️#counterculture #villains #darkhumor #bloodthirsty #antihero #criminals #fiction #Hernandezseries #Canadianfiction #darkfiction #politicalthriller #Amazonbooks #Kindle #booksworthreading
We’re all animals: led by our desires, ready to fight in the light of fear yet with a soul that leads us on a path to wherever we must go.
It started with a broken heart, and it took no time for Chase Jacob’s world to spin out of control. An unwanted pregnancy allows his mother and obsessive future bride to manipulate and control his life, turning him bitter and resentful. His destiny becomes a dark road to misery and whenever he tries to take the wheel, temptation only leads him further astray.
When a provocative and sinister side of life introduces itself, Chase discovers an animal is lurking inside each of us: a powerful creature that wants to take over. But will he let it win?
It became the series that wasn’t meant to be a series! Starting with We’re All Animals we follow Chase Jacobs from his days in small-town Alberta to the big city, where he connects with a group of sinister characters in the follow-up, Always be a Wolf.
Jorge Hernandez comes blazing in The Devil is Smooth Like Honey and takes over the narrative. From that point on, the Hernandez series continues on with Hernandez battling with Big Pharma, the police, as he slowly starts to control the government and media.
I will admit that there is a lot of time and effort involved in writing a book. However once broken down into small, manageable tasks, it isn't so bad. Of course, it also has to be something you enjoy, or you'll be stuck with writer's block, find excuses not to work on it, or probably toss it aside altogether.
So let's begin!
Your tenth-grade creative writing teacher probably told you to outline everything before you start writing, but I disagree. For me, this would never work. There has to be a certain amount of spontaneity involved to keep things fresh and exciting. If you can easily plot out the chapters and figure out the ending before getting past chapter one, chances are your reader will too. Remember, readers are very savvy and automatically try to figure things out as soon as they pick up a book. If you have no idea what's going to happen until you're typing it, chances are they will be just as surprised.
Not to say you shouldn't jot down ideas, but I wouldn't bother organizing right away. You can picture specific scenes, conversations, events and know they will fit in somewhere; you don't have to know just where yet. You should follow the natural flow of the story and consider the characters. How will each action affect them? What is their unique path or struggle? How does it fit in with the rest of the story?
Of course, I'm talking about fiction, but what about non-fiction? Are the rules the same?
I'd probably have an outline for something that falls under the non-fiction category but with room to breathe. You want to see how the book flows and which angle it takes. Make sure it is factual, and be ready to list any sources you might be using. Remember, you don't want to get sued.
Regardless of what you write, the first draft should be fun. Editing is another story. Let's not go there today. ☺️
I wasn't exactly comfortable recording my first video blogs. I barely breathed while recording the first several videos, but I also recognized that this was a challenge I had to take on. I needed to get more comfortable talking about my writing.
Over 200 videos later, I'm probably a little too comfortable on camera, but I certainly don't have it perfected. With each video, I see what I can improve. I make a lot of mistakes, but I'm having fun.
The beauty of recording a video is that people can see who you are, and if you do so without editing or overproducing, it's much more authentic. The idea of perfecting my makeup, figuring out perfect lighting, and other details might improve the overall look of the videos, but for me is a waste of time. The short videos that I make are to talk about my books and answer common questions that I get asked. I'm not trying to become a television or Internet star.
I know people who've talked about making videos but never get beyond the talking stage. Most of the time, it might be due to a lack of confidence or maybe no sincere interest in doing the work. Doing these videos is relatively easy, but you have to be ready to jump in front of the webcam and not overthink every detail. You have to consider your content and not which shirt to wear. If anyone is watching your videos and are more concerned with your appearance, chances are they aren't interested in the topic you're discussing anyway. (unless you're talking about fashion, makeup, or hair)
The best tip I can give anyone interested in recording a video is to do it. It doesn't matter if it's perfect or if you even share it with the world, but you should try.
People often ask me how I come up with book titles. The key is to pick something catchy and demands attention. That's not to say that all my titles fall under these categories, but I like to think I'm getting better at titling my books.
With my first book Fire, it was pretty straightforward. The story was about a fictional band in the 90s called 'Fire', and that's as creative as I got with that title. The follow-up was A Spark before the Fire, which was pretty much an attempt to connect the two titles, letting people know that this book was kind of the prequel to Fire. There's also a line in the book where the protagonist is called 'a spark in the sky'.
I thought my third book, The Rock Star of Vampires, had a pretty catchy title. It stems from the protagonist looking for the 'rock star of vampires' throughout the book.
Most of my titles come from a line in the book. There is a significance that the reader will discover as they work their way through the story. Other books like Psychopaths Rule the World is a combination of plot significance and my reflection on the world. Always be a Wolf is simply an idealogy repeated throughout the series, as is Loyalty Above All (there are no exceptions).
A title should capture the essence of a book and give readers a sense of the overall theme that awaits them.
Check out this video from a few years ago where I talk about some of my older titles.
Anyone who knows me knows that I'm not shy to ask for a book review. It doesn't have to be a long review. It doesn't have to have a lot of detail. It just should reflect what the reader thought of the book. A simple 'I enjoyed this book' would be sufficient.
And it's not about ego. Authors don't chase down reviews to feel good about themselves but because it gives new and potential readers some insight into what kind of books they write. I can say whatever I wish in my YouTube videos but sometimes what people want is an outside party's point of view. What kind of book is it? Was it a fast read? Did it keep you hanging on? Was it exciting? Did it leave you wanting more?
Not that authors don't appreciate positive comments outside of reviews. We love them!! Unfortunately, people who aren't familiar with us or our work might be skeptical. Many readers stick with the tried and true authors, the ones everyone is raving about online and whoever is on Oprah's reading list, and that's understandable, but it makes our job finding readers challenging.
A review can make a difference. I know I've certainly hesitated to purchase a product (especially online) unless I could compare reviews to see what other people think. And if you're an indie author like me, it can help make you stand out from the crowd.
There's a little something I like doing at least once in most of my books. I like switching away from the protagonist. So essentially, I have another secondary character take over the story for one chapter, usually around the middle of the book, to give the reader another perspective. It also allows me to shake things up a bit. It adds another layer to the book.
The beauty of it is that you can have a better overall view of the protagonist. For example, if your protagonist has a specific point of view about themselves, you might swing around to another character who draws a different picture. It gives the reader food for thought. Maybe the impression that the protagonist has given isn't accurate. Then again, it might change your opinion of the secondary character as well, since you will be seeing them up close and personal.
I do this with almost every one of my books and find that it gives me a different perspective. Sometimes the only way to understand where a secondary character is coming from is to climb inside of their mind. It's fascinating.
In the gripping sequel to We're All Animals, Chase Jacobs moves to Toronto with his Colombian bosses, Diego, and Jolene Silva, where they expand their elite sex party business. The underground's best-kept secret is going legit, but just as Chase starts a brand new life, tragedy strikes.
The heartbreaking lessons ahead of him are the most difficult he's ever had to face, and Chase must rely on his new family to help him through. But will his blind faith in Diego and Jolene prove to be a mistake, and has he underestimated just how far they are willing to go to prove their loyalty?
He learns there are times when passion and anger cause you to throw away the rule book even in the face of deadly consequences. He learns that words have a great deal of power but not as much power as silence. But most of all, Chase learns that in a world full of sheep, one should always be a wolf.
The series continues. Learn more about all the books HERE.
