Knowing the ending first 🤭(Updated)

I know it's common for many authors to 'write the ending first' when outlining a book. However, I don't. There are two things in that sentence that I don't do. I don't outline, and I don't know the ending when I start writing a book. I like the surprise element. If I'm surprised, then so will be my reader. 

But then I geared up to writing my 11th book, and something strange happened. I knew the ending first. 

I fought it. I tried to push it aside, but the final scene was too powerful for me to ignore. This forced me to get out of my comfort zone. I eventually started writing with the ending crystal clear in my mind. 

I won't lie. This freaked me out. 

UPDATE: In the end, even with some ideas on how my book would end, it turned out there were still a few surprises. I guess it's great to have some ideas about how the ending will look, but again, if you're surprised by the final pages of your book, so will the reader. 

Do writers need a high word count per day? 💻 (updated)

I often notice authors commenting on their word count per day, and there seems to be a certain amount of self-imposed stress to meet specific targets. But should they be worried at all?

I guess it's a matter of opinion. Word count has never been a concern to me, other than whether or not I had a reasonable amount of words when I finished a book. It's not something I think about each time I sit down to write, and I certainly don't check my word count per day - ever.

I do think we all need a way to measure ourselves when it comes to a successful day. I like to write a chapter with each sitting (note I said 'sitting' not per day. I firmly believe that it's best to do in one shot to keep momentum or train of thought) and with that, I'm happy. I don't feel like a failure if I don't reach a certain amount of words, and in my opinion, neither should you..

The problem is that if you set your sights on a specific amount of words per day, what could end up happening is it can become your focus more than the actual writing itself. It also might end up being too wordy, and you'll have to edit a bunch out later on. Also, a lot of words don't necessarily mean it's going to be pure gold. 

The bottom line is that I don't like to see any writer put stress on themselves to meet some crazy target because it actually can make writing feel more like work than a project that they love. And if that's the case, what's the point?

Should we allow readers to be our censorship police? 🚓 (updated)

I often tell the story of a woman who criticized my first book, Fire. She said, 'If I took out all the F-words, your book would be half the size'. Of course, she was a bitch on a good day, so I wasn't surprised when she made this snarly remark to me back in 2010. If you've read any of my books since that time, you already know that her thoughts did little to sway me, and I continue to use a lot of profanity and graphic content in my books.

I don't do this for shock value (which has also been suggested by one particularly hostile reviewer back in the day) but because it is my style. This is how I write. I don't exactly sit in front of my laptop and consider how I can shock people, but I instead follow my writing instinct. Admittedly it sometimes takes me down a dark, twisted, and even questionable road, but one thing can be assured, I'm never bored. To me, this is a good sign. If the writer isn't bored, chances are good the reader won't be either.

The truth is that only in very extreme situations is a writer going too far. In the end, a writer must always express themselves and when writing fiction, must also tell the story through the protagonist's perception. It isn't for us to censor our characters (within reason, folks) but to tell their story with as much honesty and authenticity as possible. As a writer, I have the freedom to express myself as I see fit. As a reader, you have the right to choose what you do and don't want to read. It's as simple as that.  😉

Why words matter 🗣(Updated)

If you've ever been in an argument or had a misunderstanding with another person, chances are you're already aware of why words matter. We often find ourselves in situations where words should be picked carefully, especially when there's a risk of being misinterpreted.

Not to suggest that we're already great when picking our words. If you're like me, during particularly rushed or stressful times, an entire sentence can fly out of my mouth and not make any sense at all. It happens. We're human.

So, how important are words in writing?

When I create a scene, a conversation, or show what characters are doing, I am careful about picking words that establish the mood. For example, in And the Devil Will Laugh, I had help preparing the back cover because I wanted to be sure that I chose the best words that summed up my book. I wanted to show the intensity, the fierceness of the characters, and create a sense of what to expect.

...he and his loyal foot soldiers will muscle in and tear off a big chunk of it for themselves. 

This creates a pretty strong impression of the kind of characters in my book. If I had chosen instead to say that Jorge planned to 'move in and with the help of his associates, would take over,' it simply wouldn't have the same impact.

Also, keep in mind that each character has a unique dialogue. For example, Jorge Hernandez, the protagonist in my last few books, is known for often saying, "I don't got time." When he says this, it's usually a sign he's aggravated and is about 5 seconds from rushing out the door, and he wants a situation resolved now. Each of my characters has unique dialogue patterns and expressions.

With dialogue, it's also important to remember that it can vary according to a character's education, age, ethnicity, experiences, and even attitudes.

Words do matter. Pick yours carefully.

Start your book with a bang! The importance of chapter one 🤩(Updated)

Chapter one is your chance to grab readers by the throat and make them want more!

We see it all the time in television show pilots. It's up to that original episode to captivate its audience and make them come back for another week. Something has to shake things up to create an interest with the viewer, and books are no different. 

So what do people want to see? It depends. Some people are drawn in by action, adventure, drama, violence, and sex. Others might be intrigued by characters, unexpected events, or perhaps the protagonist is going through something that connects with the audience. The main point is that the start of anything, whether it be a movie, book, or television show, must make the reader or viewer want more.

I always say that chapter one should start in the middle of something relevant to the rest of the story. And the Devil Will Laugh begins with the protagonist and his associate are visiting the (soon to be) editor of a newspaper. Their goal is to sway him to write articles in favor of himself and the political candidate he is backing. Meanwhile across town, the protagonist's wife is murdering the current editor, who didn't go with his wishes. This ties in with the rest of the book because violence and media manipulation are a huge part of the story. Also, this is in the middle of an action. I didn't start chapter one with the characters discussing their plan to bully the media or the protagonist having breakfast before leaving the house. I jump right into the action.  

Catching a reader's attention is very important. With so many other books, the Internet, and of course, Netflix as ways to be entertained, readers can easily pass up on your novel and move on to something else. Instead, give them a reason to not put your book down.

Why L. M. Montgomery Rocks! 🇨🇦(Updated)

So why does L. M. Montgomery rock? I'm going to tell you.

To begin with, she wrote and published books in the early 1900s, which was a time that I doubt many women had careers, let alone authoring books. I'm no history expert, but I'm pretty sure that the usual life path for women in those times involved pots, pans, and many screaming babies, but as I said, I'm no expert.

Furthermore, she wrote about a feisty character named Anne - with an 'e', by the way - who was quite assertive, occasionally bold, and didn't have an issue with breaking a slate over a boy's head on occasion, if you know what I mean. She probably has a lot in common with my character Diego who likes hitting people with inanimate objects (except he prefers a baseball bat 🤭) and also he has a feisty streak.

That aside, we're talking about a female character in the early 1900s when children were to be seen and not heard and little girls were supposed to be ladylike and obedient. Anne was a strong little girl, which is quite admirable and something I have a lot of respect for as a writer. As a woman, I think this is important, and I believe L.M. Montgomery felt it was important too.

It's awesome to be from the same province as this legendary author. 🤩

My first book - Fire 🔥😉(Updated)

Fire was my first book, published in 2010. The story follows protagonist Tarah Kiersey as she sets her sights on the music world, joining a band that gets signed. She learns the many ups and downs of working in the industry, how her life vastly changes (not always for the better), and how conflicts within the band can make everything stressful. Did I mention she has an affair with two of her bandmates?

First, there was a match.

In 1992, Tarah Kiersey wasn't feeling very optimistic about her life. From dead-end jobs to dead-end relationships, she failed to see how anything could ever improve. But at least, she had her music.

Then, there was a spark.

There was something about holding a microphone that made Tarah feel alive. And there was something about how she sang that made people listen. One of those people included William Stacy, a young musician who invited Tarah to join his band, Fire. She said yes, and her entire life changed overnight.

And now there s FIRE!

The book was quite popular and later followed up by A Spark before the Fire featuring a secondary character, Jimmy Groome. The books overlap, each having its unique perspective.