Why my characters aren't shooting as many people 😱(Updated)

Here's a spoiler alert 🚨- if you haven't already read my books, you should know that there's usually a body count. 😲I'm attempting to get away from having my characters using guns, but does that mean my books are becoming less violent, and why am I making these changes?

First of all, I'm tired of guns. Between mass shootings, the vast amount of television shows using them (more shows than not, I'm guessing), and of course video games, I thought maybe we could use a bit of a break from guns.

Does that mean my books are less violent? No. I'm trying to find more creative ways for my characters to either get revenge, attack or hurt their adversaries without using a revolver. This isn't to say the gang in my series has tossed their guns aside, quite the contrary. I feel that they're used so often in movies, television, and books that perhaps it's time to find more interesting methods rather than relying on the easiest, most thoughtless, and overused options in fiction.

In many ways, we're desensitized by guns. When a character pulls out a gun in your favorite piece of fiction or Netflix show, we hardly blink an eye because it's the norm. Sadly, it doesn't pack the same punch as it should, and in turn, this doesn't keep readers or viewers on high alert. You know what keeps viewers on high alert? A machete. An ax. A chainsaw. One must be creative.

I also believe there is a certain amount of passion when a character attacks his or her victims with a more barbaric weapon. In reality, guns are somewhat lazy, when you think about it.

If you're one of my readers, don't expect things to calm down and you won't suddenly find my books in a Christian book store but you might find a few other surprises. 😏

Let's talk about the conspiracy theories in my books 😱(Updated)

My readers know to expect a few conspiracy theories in my books, but how did it get started, and why do I do it?

One of my strongest motivations as a writer has always been to make people think. I know other authors are content to entertain, warm hearts, and create hope with their readers. So in many ways, I guess I do the complete opposite. Where other books might be a soft place to fall at the end of the day, I prefer to introduce topics that make my readers think, wonder, and consider.

This is not to say that any conspiracy theories brought up in my books are right or wrong. In most cases, they work well with the story and cause a little more intrigue, leaving the reader some food for thought. I think it adds an element of excitement to the book. Also, it gets the reader more involved in the story. And if a reader feels more involved in the story, it helps to make them feel more connected with the characters, and really, isn't this what it's all about?

In the end, I'm not trying to change anyone's mind. But in a world where we're conditioned to feel certain ways about specific topics, I think it's kind of neat to shake things up.

Moment of pause (Updated)

I often talk about what inspires my writing, but what does it mean when something or someone gives me a moment of pause? 

In life, we sometimes are grabbed by a moment. It could be a conversation we have, something we notice, or maybe even an image we see online. It's that moment that we find ourselves replaying in our minds later because there's something powerful that has connected with us. There's a reason.

I find it's the moments I notice in television, movies, the news, in music, books, or just everyday life that cause me to pause, that often come powerfully creeping into my writing. There's a reason why that one specific moment or even split-second has grabbed me, and it's important to investigate. It also reminds me that art is a collection of powerful moments that should stick with the reader.

One example I often give is the television show, Ray Donovan. I had a 'moment of pause' with this specific show when I first watched Ray Donovan, dressed in a designer suit, go to his expensive car and take out a baseball bat which he, in turn, used to beat the piss out of someone. I was captivated by this scene more than if he had just punched the guy or taken out a gun and shot him because it was completely unexpected (unpredictable) and not something I thought I'd see from a man in an Armani suit. The bottom line is that my moment of pause that drew me in also made the show more memorable. When I took a deeper look, I realized that I was captivated by the contradiction and unpredictability. 

There are various scenes in both movies and television that stuck with me. This is often because they were so powerful, unique, or unexpected. For this reason, I've made it my goal to create those same kinds of scenes in my books. I think something is amazing about having a comment, a visual, or even a character themselves that captivates an audience that sticks in their head or their heart. And at the end of the day, isn't that every artist's goal?

Plant the seed 🌱(Updated)

It's vital that you 'plant the seed' early in a book to capture a reader. But what does that mean?

Planting a seed means creating situations, obstacles, and to a certain degree, some clues about what to expect in the upcoming chapters of the book. It could be in the form of foreshadowing or simply letting the reader know who your protagonist is, what they stand for, and what kind of craziness the reader can expect.

Here's a couple of quick examples of 'planting the seed' I've done in previous books:

We're All Animals

We're All Animals is the premier book in my current series where we meet Chase Jacobs. The young protagonist is very much the boy-next-door and in the early chapters. We learn that he recently was dumped by his high school sweetheart and reluctantly goes to a party to soothe his pain. While there, he is given a drug to 'mellow' him out and hooks up with a woman he isn't particularly attracted to, only to later learn she's pregnant. Forced by his mother to marry this mere stranger, Chase sees all his hopes and dreams go down the drain. All this while he lusts after his new BFF, who tells him she's a lesbian even though he's getting some strong signals suggesting the opposite. Add in his complicated relationship with his family, growing resentment about having no control in his own life, and you got one complicated seed about to burst through the ground. 

The Devil May Lie

Jorge Hernandez comes out with both barrels blazing in the 6th book of the series. Here, we learn that Jorge discovered an ultra-conservative movement within Canada that could affect his personal and professional life. He not only sees proof when his daughter has a confrontation with another child at school but learns it may be creeping into the general beliefs of Canadians, which could, in turn, affect his (legalized) pot business. What if laws are changed to make it illegal again? After working to get where he's at, Jorge has no intention of backing down. This seed is so powerful. The earth is shaking.

How important is it to plant a seed? Unless the reader has something to grab on, they have no reason to continue reading. Plant the seeds to make readers intrigued enough to keep reading. 

Can you learn from authors you don't like? 🧐(updated)

We often hear about learning from people we admire, but what about ones we don't like? Can we learn from someone if we're not a fan? Is there a lesson in bad books, boring TV shows, and disappointing movies?

When I was younger, one of the authors I used to read was a well-known best-seller. I now see that her style tended to be what I now refer to as 'formula writing', which essentially means that her books tended to follow the same pattern. The protagonist was often a beautiful, perfect woman who had money, usually a super attractive spouse, perfect children, and, well, you get the idea. Needless to say, it was difficult to feel sorry for that character when something difficult came around the corner.

I grew tired of reading these predictable books but I was left with one powerful lesson: make your characters relatable. Show their insecurities, their weaknesses, air their dirty laundry, and embarrassing moments. Make the reader see that they are far from perfect and demonstrate their struggles. One of the reasons why I didn't continue reading the specific author mentioned ☝🏻is because I didn't care about her characters because they were unrelatable and somewhat vacant.

In essence, this author taught me what not to do as a writer. Since that time, I've read other books that were predictable, couldn't hold my interest, had terrible dialogue or characters reacting in such a way that didn't make sense for their situations and I made a mental note not to do these things. I saw it as a lesson.

Don't get me wrong. I've made mistakes too and I'm sure there's an author somewhere who's read one of my books and perhaps saw things that they wouldn't do in their own writing. And that's fine. I'm always trying to learn more, to do better and I believe that's an important part of my evolution as a writer. That's how I learn and create my own, unique style. Being open to learning is an important part of being an artist.

Although it's important (and terrific!) to have role models that we admire and want to learn from, don't forget to also pay attention to those who actually inspire the opposite feelings. Sometimes we gather some of the most valuable lessons from the most unexpected source.

Do your books have social commentary? 🧐 (Updated)

The world is a hot mess now, so if there ever were a time for social commentary in the arts, this would be it!

I've always been a fan of social commentary in books, movies, television, and music. In fact, for me, it's a significant part of the writing process. I love the idea of planting a few seeds for readers to ponder. I don't do this to influence anyone's opinion but to give them some food for thought. We often get locked in our beliefs and stubbornly refuse to see the other side, but can we make a fair assessment if we don't? 

When it comes to the arts, books, movies, and television are sometimes a more tangible way to process information. News stories and documentaries are often slanted, possibly more with the concern of capturing ratings. However, fiction shows the emotional side of some dicey subjects. The human being behind societal problems has a face. As they say, before you judge, walk a mile in someone else's shoes. Books, movies, and television allow you to do so.

With that in mind, there are various topics and questions that writers will bring to light for the reader's consideration. For example, in my book The Devil May Lie, Paige Noël-Hernandez worries about her appearance after having a baby. She mentions a recent magazine article that suggests women 'of a certain age' have to work twice as hard to slip back into those favorite pair of jeans after giving birth. Her husband Jorge is quick to ask if this specific article comes before a page of ads for weight loss products. Of course, we know that advertisers target their audience and, in some cases, instigate insecurities to make potential customers for their products. Welcome to the world of consumerism!

As a writer, I want to encourage critical thinking. Ideally, I would love to believe that my books are read with an open mind and heart, that sometimes their ideas are challenged, or perhaps readers are relating to specific events in the book. I hope that the characters stay with them long after finishing the book and maybe even inspired them. I want to believe that my books shake things up a bit, whether it be the reader's imagination or how they see themselves and the world. 

The Devil May Lie - Let's talk about a pivotal moment in the book 😱 (Updated)

Until about the halfway point of  The Devil May Lie, the format was similar to previous books in the series. Not to suggest that the story was predictable, but fans understood how my characters reacted to any given situation. For that reason, I decided to throw a monkey wrench in the halfway point of the book, intrigued to see how things would fall into place.

I wrote about a tragedy in an indigenous community, then demonstrated a combination of racism and government neglect. This was reflective of what I believe is often happening in indigenous communities in my country. The event in the book was difficult to write about and didn't get easier with each set of edits but, I felt it was necessary to make a point. In the story, it's this straw that broke the camel's back and causes outrage throughout the country that quickly spills over to the demographic of Canadians who also feel neglected by the government; those living in poverty, immigrants, and essentially anyone who seems to have slipped off the radar. In turn, this pushes the government to do something drastic; they approach a charismatic Canadian named Jorge Hernandez to join their team.

I don't need to point out the irony of a dangerous criminal with blood on his hands asked to join a political party. But you have to remember, nothing is officially 'known' by the public, and therefore, they see a strong candidate who isn't afraid to say what he thinks on the platform. They see an immigrant, someone who calls out his government and has risen from rags to riches, making him both relatable and inspiring at the same time. I feel it also demonstrates how low many political parties are willing to sink to find a winning candidate. Perhaps it is not such a stretch to say that they would nominate the devil himself if they thought it would result in them winning.