What does that mean exactly? For the most part, I write whatever I sense the characters are saying, doing, or experiencing, and generally, I will later find out that I was on the right track. This isn't to say I'm always correct, but I think sometimes we gather and retain more information than we realize over the years. So, even though we may not be fact-checking while writing, chances are the information is hidden away in the back of our minds. After all, isn't that instincts are in the first place? Information stored away from previous experiences or hidden knowledge we forgot we had?
Of course, there's also an argument that the muse is key to art. For me, a big part of being a writer is accepting that I'm not necessarily in the driver's seat when it comes to my books but merely going along for the ride.
One great example was from my book And the Devil Will Laugh. In it, Jorge Hernandez reconnects with his mother after she's kidnapped, in an attempt to fix their broken relationship. However, this attempt is dropped when she meets his wife Paige, a white Canadian woman. She bluntly informs her son that he should've married a 'nice, Mexican girl' instead. This happens in front of Paige, who doesn't react. But Jorge and his daughter Maria quickly put Jorge's mother in her place.
At the time, I wondered if perhaps this was too harsh. I then read a blog by a lady who is a white American living in Mexico, married to a Mexican man. In one particular post, she talked about how her mother-in-law reacted in much the same way when her son married a woman who wasn't Mexican. As it turns out, my original instincts weren't too extreme at all.
This is just one of many examples of how I research backward.
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